by Tracey West ; illustrated by Xavier Bonet ‧ RELEASE DATE: Dec. 1, 2020
A very welcome series revival.
The early-aughts Pixie Tricks series, about using trickery to catch mischievous pixies, is back, lightly massaged, for a new generation of readers.
When her favorite marble is stolen by a toad, 8-year-old Violet Briggs’ pursuit leads her to an encounter with a fairy named Sprite. Sprite, a Royal Pixie Tricker, needs her help to find the 14 troublemaking fairies who escaped the Otherworld to make mayhem in Violet’s world. The first fairy they go after is fun-loving Pix, who makes even the most responsible adult abandon anything but the desire to play—forever! The ensuing chaos is delightfully funny, and Violet must use her brains to stop him. The fresh, friendly new illustrations of this edition factor heavily in the seamlessly child-centered book design. Besides breaking up the text with images (so as not to intimidate young readers with text blocks), the illustrations are thoughtfully placed to fit the exact moment they occur in the story, working exceptionally well when the art crosses a double-page spread. Just like the short chapters and simple vocabulary, the text blocks’ avoidance of hyphenated words at line ends or sentences that carry over to the next page keeps the book easily digestible for its emergent-reader audience. The inviting format and zany fun of the plot will leave readers excited for the next installment. Violet is White, and Sprite is green; human characters of color appear in the background.
A very welcome series revival. (questions and activities) (Fantasy. 6-9)Pub Date: Dec. 1, 2020
ISBN: 978-1-338-62778-7
Page Count: 96
Publisher: Scholastic
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
by David Goodner ; illustrated by Andrea Tsurumi ‧ RELEASE DATE: Oct. 27, 2020
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
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by David Goodner ; illustrated by Andrea Tsurumi
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