Filled with even more magic and intrigue than its predecessor, this is a gripping follow-up that will leave readers...

THE SPEAKER

From the The Reader Trilogy series , Vol. 2

The adventure continues in Chee’s second installment of the Sea of Ink and Gold series.

Sefia and Archer have escaped the Guard, but the danger is far from over. They are still being hunted, and their past and future, slowly being revealed by the Book, are catching up to them. Struggling to accept the dark truths of their pasts, Sefia and Archer embark on a crusade to eliminate all the impressors and free the boys whom, like Archer, the impressors have kidnapped and brutally trained to kill. Meanwhile, the pirate Reed and his colorful crew are derailed from their pursuit of eternal glory when they find out the Blue Navy is threatening their way of life by hunting and eliminating their fellow outlaws at sea. New characters are introduced, and with them, more secrets are revealed. Chee’s skill at managing complex storylines shines through as stories upon stories meet and intertwine in startling ways. Throughout it all, Sefia delves deeper into the book and her parents’ past for clues of her and Archer’s future. What she finds will catapult them into an even more dangerous and impossible mission. The novel features a diverse cast of characters, and Sefia has East Asian features.

Filled with even more magic and intrigue than its predecessor, this is a gripping follow-up that will leave readers speculating and wanting more. (Fantasy. 14-adult)

Pub Date: Nov. 7, 2017

ISBN: 978-0-399-17678-4

Page Count: 512

Publisher: Putnam

Review Posted Online: Aug. 12, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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