History flows like molten glass in this stunning novel that borders on fantasy.
“Time passes differently” in this centuries-spanning story set on the Island of Glass.
This impressive novel about family, art, and tradition takes place on Murano, just off the coast of Venice, Italy, where generations of artisans have created beautiful glassware. Chevalier centers this engaging story on Orsola Rosso, who, as the novel opens in 1486, watches with envy as the men in her family turn molten glass into goblets, platters, and bowls using techniques passed from father to son. Tradition can’t stop Orsola, who learns how to make glass beads that can be used to create exquisite jewelry. The money Orsola earns from her creations will save her family many times over the course of the novel as the world changes and Murano’s fortunes rise and fall. Chevalier cleverly warps the time continuum on Murano—decades can pass, but the people age only a few years. She situates us in the real world, though, where—like swirls of color that appear to flow through translucent glass—history moves forward from the Italian Renaissance through plagues, the Napoleonic era, and world wars up to the 21st century and Covid-19. Time barely ages the Muranese, but their lives are impacted by the outer world’s changes and upheavals. Between fascinating descriptions of artisans at work and the glassware they create, Chevalier embeds a love story that transcends time as Orsola, across 500 years, holds on to the love she carries for a man she knew in her youth. With colorful narrative and dialogue, Chevalier—author of Girl With a Pearl Earring (1999)—lets time roll forward through independent women who are determined to shape glass into works of art and frame life paths of their own design.
History flows like molten glass in this stunning novel that borders on fantasy.Pub Date: June 18, 2024
ISBN: 9780525558279
Page Count: 416
Publisher: Viking
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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