History flows like molten glass in this stunning novel that borders on fantasy.
“Time passes differently” in this centuries-spanning story set on the Island of Glass.
This impressive novel about family, art, and tradition takes place on Murano, just off the coast of Venice, Italy, where generations of artisans have created beautiful glassware. Chevalier centers this engaging story on Orsola Rosso, who, as the novel opens in 1486, watches with envy as the men in her family turn molten glass into goblets, platters, and bowls using techniques passed from father to son. Tradition can’t stop Orsola, who learns how to make glass beads that can be used to create exquisite jewelry. The money Orsola earns from her creations will save her family many times over the course of the novel as the world changes and Murano’s fortunes rise and fall. Chevalier cleverly warps the time continuum on Murano—decades can pass, but the people age only a few years. She situates us in the real world, though, where—like swirls of color that appear to flow through translucent glass—history moves forward from the Italian Renaissance through plagues, the Napoleonic era, and world wars up to the 21st century and Covid-19. Time barely ages the Muranese, but their lives are impacted by the outer world’s changes and upheavals. Between fascinating descriptions of artisans at work and the glassware they create, Chevalier embeds a love story that transcends time as Orsola, across 500 years, holds on to the love she carries for a man she knew in her youth. With colorful narrative and dialogue, Chevalier—author of Girl With a Pearl Earring (1999)—lets time roll forward through independent women who are determined to shape glass into works of art and frame life paths of their own design.
History flows like molten glass in this stunning novel that borders on fantasy.Pub Date: June 18, 2024
ISBN: 9780525558279
Page Count: 416
Publisher: Viking
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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