by Tracy Del Campo ‧ RELEASE DATE: June 13, 2014
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A modern-era parable about Noah’s Ark.
The 1925 Scopes Monkey Trial provides the backdrop for Del Campo’s short, charming fiction debut. After school ends, 11-year-old Lulu and her 7-year-old brother, Buddy, visit their grandmother in the rural outback of Missouri, where the upcoming Scopes trial has become the favorite topic of dinner-table conversation. Their parents, grandmother and scientist/inventor uncle Hugh are all ardently religious folks who believe in the primacy of the Bible, and they all think it’s scandalous that some people are saying that “The Trial of the Century” portends the end of religion. When the children ask Hugh what he thinks, he firmly tells them that “evolution is not a scientific fact; it’s merely an assumption with no observational evidence.” When he’s reminded that his insistence on teaching that assertion cost him his job at “a very prestigious university,” he scoffs, insisting that “[a]ll the evidence points directly to an intelligent creator; there is no denying it.” Lulu and Buddy tell him that the kids in their class don’t think the story of Noah’s Ark actually happened, but Hugh insists that the story is true—and it’s an assertion that comes back to haunt him. Del Campo provides a series of neat plot twists that lead to the children’s discovering that Hugh has built a time machine in his attic. They use it, accidentally, to send themselves back in time to the rainy day just before the ark’s launch. Hugh and the kids’ father follow them, and they all confront the reality of the ark—and the imminent danger of the flood. The author soon delivers a fast-paced climax in which they all make their escape. Back in the present, the children’s grandmother provides the book’s overriding message, stoutly reassuring them that “[f]aith means believing with your heart and not with your eyes.” It’s a tidy moral, but Del Campo’s prose style as she delivers it is never labored or heavy-handed. The book’s brevity and thoughtfulness may make it an ideal supplement for Bible study classes, in which it may prompt lively discussion.
A well-turned time-travel adventure story with a biblical edge.
Pub Date: June 13, 2014
ISBN: 978-1490837079
Page Count: 102
Publisher: Westbow Press
Review Posted Online: Sept. 29, 2014
Review Program: Kirkus Indie
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by Tomie dePaola & illustrated by Tomie dePaola ‧ RELEASE DATE: Oct. 1, 1999
A wondrous occurrence, an ancient tradition, and an elderly nun’s abiding faith are the basis of this moving Chirstmas tale from dePaola (26 Fairmount Avenue, p. 629, etc.). Sister Angie is overjoyed when her niece Lupe and her husband are selected to play Mary and Joseph—here, Maria and José—for Las Posadas, the reenactment of the journey into Bethlehem. When Sister Angie becomes ill and Lupe and Roberto become stranded in a heavy snowstorm, it seems as if the celebration will be delayed. However, a couple arrives just in time to take the place of the missing players. The whole village participates in the procession, from the singers who follow Mary and Joseph, to the “devils” who attempt to prevent the weary travelers from finding lodging. After several rebuffs, the couple arrives at the gates of the courtyard; these open and the entire assembly enters to celebrate. When Lupe and Roberto finally show up, the other couple is nowhere to be found. The story takes a supernatural twist when Sister Angie discovers that the figures in the church’s manger scene have come to life, temporarily, for the procession. The mysteries and miracles of the season are kept at bay; this simple narrative spells everything out, resulting in a primer on the tradition. Richly hued, luminescent illustrations radiate from the pages; an introduction and author’s note provide additional information. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23400-4
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Dinah Johnson ‧ RELEASE DATE: March 1, 1999
Johnson (All Around Town, 1998) sketches out the activities for the six days leading up to Sunday. Monday is reserved for the blues, Tuesday for double Dutch workouts, Wednesday for choir practice, Thursday for reading with Miss Augusta (“books filled with magic words. We can taste them and hear them and fashion them—speak words written and said long ago to make today and tomorrow our own”), Friday—“Finally Friday,”—with its fish and hush puppies, and workday Saturday. Then comes Sunday at the Lovely Hill Baptist Church, and displays of fashion, toe-tapping music, gathering, and feasting. The spirituality in these pages is caring and inclusive, so no one is a stranger here; Geter’s pastels are studied and a little self-conscious, but as warm as the biscuits served at Sunday dinner. (Picture book. 6-9)
Pub Date: March 1, 1999
ISBN: 0-8050-4911-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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