A lyrical memoir conveys an urgent message.
The Pulitzer Prize–winning poet combines memoir and history in a powerful new book.
Smith, translator, memoirist, and poet laureate of the U.S. 2017 to 2019, delves into her family’s history—a history of subjugation, violence, and enslavement—in order to “endure the intractability of the world I know.” In the world of her forebears, and in her own, she asserts, “the Freed are discouraged from confusing themselves with the Free.” Freed though they were, her great-grandparents, grandparents, and parents were oppressed and threatened by a world rife with racism. “I descend from a history of daily miracles,” she writes, “by which the soul of a people whom institution upon institution has sought to annihilate yet lives on.” Smith’s search into her past took her to archives, military records, and census forms, where, she notes, “there is no column for Love,” but still, the forms reveal “names and traces” that allow her to reconstruct “stories and lives that can liberate us.” Those lives were buoyed by a strong sense of spiritual community, where the “ring shout” served as “a shared heartbeat.” The shout, Smith explains, is “a cultural practice rooted in praise, song, and the soul-sustaining power of something so unperturbed by logic as to call itself the Holy Ghost.” Because of her parents’ “titanic effort,” Smith and her siblings grew up to transcend many racial barriers—Smith graduated from Harvard, where she now teaches—and, she writes, “were allowed to mistake ourselves for the Free.” But as she reflects on her education, career, marriages, and motherhood; and on many recent, recurring incidents of violence against Blacks, she increasingly identifies with the Freed. “What,” she asks, “might this nation stand to learn from a people whose soul alone has carried them through centuries of storm and war?”
A lyrical memoir conveys an urgent message.Pub Date: Nov. 7, 2023
ISBN: 9780593534762
Page Count: 288
Publisher: Knopf
Review Posted Online: Aug. 29, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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