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JUST ONE WAVE

A satisfying tale that sees its protagonist striving once more for a single iconic experience.

Liam’s seasonal demands are modest.

In winter, the young narrator longed for Just One Flake (2023). Now that it’s a perfect summer beach day, Liam hopes for “just one wave.” The shore offers sun, sand, and sea gulls, but—“Oh no”—not the faintest swell. Liam is willing to wait—and WAIT—but some problems can’t be solved, even with patience and perseverance. Scattering a flock of sea gulls doesn’t produce surf, nor does an attempt at sneaking up on the sea and scaring it. Finally, Liam builds a sand castle and taunts the sea: “Come and get it!” But it’s baby sister Sonja who reduces the ramparts to rubble. Now it’s already “Time to go!” Suddenly Liam has an idea. Climbing the castle ruins, the youngster cannonballs into the water, creating a big wave that breaks over Sonja, who, after a moment’s uncertainty, is thrilled. Liam may not have enjoyed any waves today, but the child rejoices at having provided Sonja with her first wave. Upon leaving, calm as the water itself, Liam waves at the sea from the car window, with the hopeful thought “until next summer.” Like the earlier book, this tale features deceptively simple, expressive, flat illustrations with heavy, wavering outlines and touches of soft color. Its plot is positive, unpredictable, and engaging; realistic, relatable dialogue and clear lettering make this a good option for burgeoning readers. Liam and Sonja are tan-skinned.

A satisfying tale that sees its protagonist striving once more for a single iconic experience. (Picture book. 4-8)

Pub Date: April 15, 2025

ISBN: 9781419773716

Page Count: 48

Publisher: Abrams

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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