by Travis Lupick ‧ RELEASE DATE: June 5, 2018
An intense, riveting report on a public health crisis and a network of heroes on the front lines.
A chilling update on the most drug-ravaged sectors of North America.
Once journalist Lupick details the dire state of drug addiction across the country, the main focus of the book becomes one of motivation, humanitarianism, and perseverance on the part of a group of inner-city activists in Vancouver’s skid row section, Downtown Eastside. The author describes this area as destitute and rife with single room–occupancy hotels and countless drug pushers and addicts. In moving profiles, he chronicles the area’s downslide since the early 1990s. The drug epidemic’s stronghold on this particular Vancouver sector is intensified but also humanized by the stories of the well-organized efforts of the many activists who have provided counseling, compassionate assistance, and radical solutions through the Vancouver Area Network of Drug Users, which was founded in 1998. The roadblocks were monumental, including political invisibility, controversies surrounding supervised injection sites and overdose prevention programs, and efforts to destigmatize the addicts and their behaviors. Most inspiring are the stories of those rallying for the rights of users and advocating for interventional drug and harm reduction programs with adequate follow-up measures. Lupick also checks in with several other major American cities—Boston, Seattle, Miami, San Francisco, Toledo—to show their progress on combating the drug-abuse epidemics. The author highlights many unconventional approaches to fighting the onslaught of drug deaths, how these singular techniques are working, and what needs refinement to improve the odds. In addition to chronicling the desperation of addicts and how entire neighborhoods can buckle beneath the weight of drug dependency, Lupick also provides significant insight into the movement to destigmatize the opioid abuse epidemic with efforts to reclassify it as a health problem and to combat it with methods of harm reduction rather than criminal policing. He brings the reality of the perennial war on drugs into vivid focus and introduces an impressive group of activists confronting this “ongoing struggle” with steely determination and compassion.
An intense, riveting report on a public health crisis and a network of heroes on the front lines.Pub Date: June 5, 2018
ISBN: 978-1-55152-712-3
Page Count: 432
Publisher: Arsenal Pulp Press
Review Posted Online: April 3, 2018
Kirkus Reviews Issue: April 15, 2018
Share your opinion of this book
More by Travis Lupick
BOOK REVIEW
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
Awards & Accolades
Likes
21
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
New York Times Bestseller
IndieBound Bestseller
National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
Share your opinion of this book
More by Ta-Nehisi Coates
BOOK REVIEW
by Ta-Nehisi Coates ; illustrated by Jackie Aher
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
Awards & Accolades
Likes
18
Our Verdict
GET IT
Google Rating
Kirkus Reviews'
Best Books Of 2016
New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.