Next book

THE HIDING PLACE

Like the gritty world they inhabit, Azzopardi’s characters command a ragged, sharp-edged dignity in this haunting debut.

Azzopardi brings the immigrant and poverty-stricken underbelly of Cardiff, Wales, during the 1960s to disturbing life as a young child bears witness to the gradual disintegration of her troubled family.

Dolores “Dol” Gauci is one of six daughters of Frankie Gauci, a Maltese immigrant, and his Welsh wife Mary. A charming but unlucky gambler, Frankie loses his money, his home, and his share in the Moonlight Café the night Dolores is born. Months later the infant Dol loses most of her left hand in a house fire while her mother is attempting to seduce the rent collector out of his money. For what he sees as the good of the family, Frankie barters away one of Dol’s older sisters, who may or may not be Frankie’s daughter. Out of misguided protectiveness, he gives another in marriage to an older, wealthier man. And he beats a third sister, the elusive Fran, and later sends her to the “home” when she’s accused of pyromania. Fran’s story, though never clear or complete, is the heart of the novel: she is the one who carries the family’s guilt and vulnerability on her shoulders. Frankie, who, for all his sins, tries repeatedly to be a husband and father, finally abandons the family. Mary, less than stable to begin with, has a mental breakdown, and the remaining daughters are dispersed to foster care. The unrelenting darkness of these events is bearable only because Dol’s knowledge is more sensory than factual. She tells her story in fragments, which take time to evolve into a meaningful pattern, but gradually the individual Gaucis, their Maltese gangster associates, and their working-class Welsh neighbors come to life through a child’s perceptions: slightly tilted, incomplete, yet remarkably perceptive.

Like the gritty world they inhabit, Azzopardi’s characters command a ragged, sharp-edged dignity in this haunting debut.

Pub Date: Jan. 1, 2010

ISBN: 0-87113-815-8

Page Count: 288

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview