by Tricia Fields ‧ RELEASE DATE: April 6, 2021
The inventive, deepening twists make this comeback read like a superior episode of Law & Order: West Texas.
Police Chief Josie Gray returns after a one-book hiatus to lock horns with a survivalist cult that’s taken root in her hometown of Artemis, Texas.
Wayne Masters, who’s reinvented himself as Gideon, the charismatic leader of The Drummers, maintains that his community of some 20 adults and children, which has purchased a decrepit church building for a dollar, only wants to be left alone. But when a suspicious series of transformer fires leaves the whole town without electricity, the finger of suspicion points at The Drummers. When the deputation serving a warrant for parole violation on Drummer Clyde Hamblin arrives at the church, they’re met with gunfire. And by the time the confrontation has ended, 15-year-old Mandy Seneck is dead inside. Gideon insists she’s been shot by Josie, who returned the fire from outside, though the ballistics render his claim manifestly impossible. Ex-Marine Leon Spinner, who’s grown more and more disenchanted with his leader, is sure that Gideon has killed Mandy himself to cover his abuse of her. As The Drummers splinter into pro- and contra-Gideon factions, Josie and her force work patiently to uncover an ever spreading network of connections between The Drummers, the dealer who supplied their guns, the terrorist saboteurs of the EX-Sovereigns, who seem to be using them as pawns in their much more ambitious and nefarious plans, and Josie’s own mother, whom Josie finds connected to Gideon in a most embarrassing way.
The inventive, deepening twists make this comeback read like a superior episode of Law & Order: West Texas.Pub Date: April 6, 2021
ISBN: 978-0-7278-9247-8
Page Count: 240
Publisher: Severn House
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kathy Reichs
by Seishi Yokomizo ; translated by Louise Heal Kawai ‧ RELEASE DATE: Sept. 15, 2026
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Seishi Yokomizo ; translated by Jesse Kirkwood
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by Seishi Yokomizo ; translated by Bryan Karetnyk
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