Warm, wise, and humane.
A multidisciplinary African American artist/theologian muses on the concept of rest as necessity and strategy.
Hersey opens with a provocative question: “How do you find rest in a capitalist, white supremacist, patriarchal, ableist system?” In this part art object, part “escape artist” manifesto, Hersey offers a 10-step guide to finding rest from the oppressiveness of “grind culture.” Finding inspiration in historical figures like Harriet Tubman, who led other enslaved people to freedom, Hersey counsels readers to first become a “trickster” dedicated to ignoring everything that “stands in the way of…liberation.” Creating community is also key to finding—and perpetuating—safe spaces that allow for deliverance. At the same time, she warns that freedom requires the artfulness of improvisation because no single path will suit all who desire rest. Seekers must consciously slow down and listen to their bodies and their own inner wisdom while steering clear of the material forms of self-care that “toxic capitalism” tries to force on those caught in its gears. Their inner trickster must also be open to constant self-reinvention, an act that liberates in how it catches the grind culture off guard. Finding comfort in poetry—and especially the politically inflected poetry of Nikki Giovanni and Langston Hughes—also assists with a seeker’s mission to continue dreaming in a system that exhausts the body and numbs the mind and spirit. As it calls out the racist, sexist brutality of hypercapitalism, this spiritual book offers respite to the weary through spare, duotone illustrations, playful word-based page layouts, and refreshingly uncluttered pages that sum up her wisdom in everything from epigrams and single-paragraph reflections to poems and brief narratives.
Warm, wise, and humane.Pub Date: Nov. 12, 2024
ISBN: 9780316365550
Page Count: 160
Publisher: Little, Brown Spark
Review Posted Online: Sept. 27, 2024
Kirkus Reviews Issue: Nov. 1, 2024
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
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