A brilliant guide to a systemic malady that cannot be denied.
An academic exposes the inner workings of systemic racism in accessible, concrete terms.
Throughout her three decades of experience teaching about racism, Rose—director of the Center for the Study of Race and Ethnicity in America at Brown University and author of Black Noise and The Hip Hop Wars—constantly heard others denying the existence of the racist systems that she had experienced throughout her life. She began to suspect that these denials were part of a larger system that denied Black people’s realities. “Compelling stories that expose the workings of systemic racism were not…simply missing,” she writes; “they were created and then disappeared over and over.” In her frustration, she “half-jokingly” told her husband, “I wish there were a handbook on systemic racism,” and her husband encouraged her to write it. The result is this highly structured, deeply practical analysis of systemic racism. After defining a system as “an interdependent, interconnected group of components, parts or elements that work as a whole,” Rose explains that the “metaeffects” of American systemic racism are the “containment, extraction, and punishment of Black people.” The author illustrates each of these metaeffects using case studies, beginning with Trayvon Martin’s murder, which the author connects to both redlining and the media’s “role in reproducing and tightening the connection between Black people and criminality while simultaneously overrepresenting whites as victims and defenders of law.” Particularly interesting is her analysis of Kelley Williams-Bolar, a Black woman imprisoned for “stealing education” after she falsified her address so she could enroll her children in the school serving her father’s neighborhood. Throughout this trenchant book, Rose’s analysis is rigorous, insightful, and lucid, and her language glimmers with lyrical clarity. She infuses every page with passion and expertise, backing up each argument with an impressive amount of research.
A brilliant guide to a systemic malady that cannot be denied.Pub Date: March 5, 2024
ISBN: 9781541602717
Page Count: 288
Publisher: Basic Books
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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