All in all, a diverse and too-often off-topic collection that's not steamy enough in either sense of the word but is partly...
Simply sticking a few gears in does not steampunk make, no matter what the subtitle says.
The 13 stories, from a range of authors including several who have previously written mostly for adults, range from romance to horror, cover a gamut of times and places and include both the sublime and the sublimely bland. The opening story has both corsets and clockwork but little real depth, and at least four stories are more romantic fantasy (of varying quality) with a few elements meant to evoke a steampunk ethos. Others take some elements of the genre and transport it (with fair success) to the American south of the ’50s and Nazi-occupied Poland. The best stories are those that most closely adhere a fairly traditional definition of steampunk in manners, machinery and punk spirit, like Frewin Jones’ weirdly wonderful “The Cannibal Fiend of Rotherhithe,” with its half-mer cannibal heroine and a plucky boy who might be true love or just a snack; Adrienne Kress’ “The Clockwork Corset,” high romance with a spunky cross-dressing heroine; and Kiersten White’s excellent closing tale, “Tick, Tick, Boom,” whose narrator is a machinist and noble’s daughter who falls for an anarchist.
All in all, a diverse and too-often off-topic collection that's not steamy enough in either sense of the word but is partly redeemed by a few gems. (introduction, author biographies) (Steampunk/fantasy/romance anthology. 12 & up)Pub Date: May 1, 2011
ISBN: 978-0-7624-4092-4
Page Count: 448
Publisher: RP Teens
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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