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CALLING THE WIND

A STORY OF HEALING AND HOPE

A beautifully written, quietly poignant depiction of one family’s journey through loss.

A telephone box and a little imagination help a family confront their grief.

An Asian-presenting family sits around a low table with a conspicuously empty seat. The scene is depicted in a soft, muted, melancholy blue, while a memory of a meal with the now-departed loved one is shown in sunny yellow. That yellow hue then reappears in the form of a bird, which guides one of the family members to a telephone box where they have a (one-way) conversation with their loved one (“Can you hear me? I just hear the wind. Is that you?”). Other family members have conversations, too; after, each discovers a yellow flower and brings it back to the house, adding to a growing bouquet on the table. When one of the members learns about this, they break the vase, furious, scattering the flowers and the family. Only when the anguished member finds solace through the telephone can they also find peace with their family. Structured around the seasons, poetic text alternates between narration and dialogue. Sensitively composed illustrations, rendered in watercolor, pen, and colored pencil in a pastel palette, use colors thoughtfully. An author’s note explains that this telephone box (kaze no denwa, or wind phone) is real and located in Ōtsuchi, Japan; it was created by Itaru Sasaki as a way to cope with the death of his cousin, and it has provided solace for others, including those affected by the 2011 earthquake and tsunami. (This book was reviewed digitally.)

A beautifully written, quietly poignant depiction of one family’s journey through loss. (photograph, resources on grief) (Picture book. 3-7)

Pub Date: Oct. 4, 2022

ISBN: 978-0-593-42640-1

Page Count: 48

Publisher: Knopf

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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