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THE MAGIC FISH

Beautifully illustrates how sharing old stories can be the best way to learn how to share new ones.

While Tiến is fluent in English, his Vietnamese refugee parents are not, leaving them struggling at times for a shared language.

Tiến’s mom, Hiền, asks him to read aloud the fairy tales he checks out from the library; they both love them, and she can use them to practice English. When Tiến selects “Tattercoats,” his seamstress mother tells him that there is a Vietnamese version that her own mother told her, long ago. As he reads the story of love, longing, and travel across a sea, Hiền is reminded of family she left behind in Vietnam while Tiến tries to navigate his own first love, a boy he is friends with. Le Nguyen’s gorgeous, flowing, detailed illustrations deftly weave Vietnamese and Western fairy-tale worlds together with Hiền’s memory of her past and Tiến’s struggle over coming out. The rich color palette highlights both the layers within each panel as well as serving as a road map for readers by indicating whether the panels are set in the present, the past, or within the fairy tale. This clever use of color smooths the way for the sophisticated embedding of stories within a story that highlights the complex dynamics between first-generation and second-generation family members. Warm, loving family and friends are a refreshing alternative to immigrant stories that focus on family problems.

Beautifully illustrates how sharing old stories can be the best way to learn how to share new ones. (author’s note, notes about the illustrations, bonus artwork) (Fiction. 13-17)

Pub Date: Oct. 13, 2020

ISBN: 978-0-593-12529-8

Page Count: 256

Publisher: Random House Graphic

Review Posted Online: July 26, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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WE SHIP IT

Tackles deep subjects but misses the mark.

A complicated story of family dysfunction blended with a frothy romance.

Seventeen-year-old Olivia Schwartz’s drive masks the intense anxiety she’s carried since finding her beloved older brother dead six years ago. Her parents never mention Logan; her 5-year-old twin brothers don’t even know he existed. But on a family cruise, carefree Jules—an old summer camp friend who happens to be there too—tempts Olivia to put aside the science fair research that could get her a prestigious internship with a surgeon, drink alcohol to ease her social awkwardness (consider it “a trial run” for college parties, Jules says), and go after sexy fellow passenger Sebastian. Olivia’s deep repression starts to ease as she tries a more relaxed teen life for the first time, but when she opens up about Logan, Sebastian and Jules keep saying things about him that bother her, leading to an explosive revelation that shakes up Olivia’s understanding of her family. Wooden characters serve only to reflect and refract Olivia’s story, and the thin plot contrivances are distracting. The thematic disconnect is troubling: This is both a book in which addiction is a leitmotif and also one in which problematic drinking is normalized, as Olivia repeatedly asks for Jules’ flask to ease her emotional distress. Olivia is Jewish, and most characters read White; Jules is cued East Asian, and there is some diversity in race and sexuality in the supporting cast.

Tackles deep subjects but misses the mark. (Fiction. 13-17)

Pub Date: June 20, 2023

ISBN: 9780063230996

Page Count: 320

Publisher: HarperTeen

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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FLOAT

VOL. 1

From the Float-Marchant series , Vol. 1

Engaging characters and appealing, nostalgic artwork make for a satisfying read.

In this series opener, 17-year-old Alaskan Waverly Lyons goes to spend two months in the small coastal town of Holden, Florida, with her aunt Rachel.

At first, Waverly has difficulty adapting to her new environment, but she begins to befriend some of the locals, finds a job, and meets her aloof neighbor, Blake Hamilton, a lifeguard with his own yet-to-be-revealed issues. Marchant excels in capturing themes of self-discovery and budding romantic tension between the two white-presenting leads. Waverly’s journey of growth feels natural and relatable, with internal monologue appearing in rectangular text bubbles and accompanying the dialogue and external action. Joaquin’s artwork enhances the storytelling through its warm and inviting color palette, which utilizes both soft pastels and vibrant tropical tones to create an immersive atmosphere. Blurring simulates motion and movement. While the plot follows familiar genre tropes, the small-town setting enhances the charm and brings echoes of simpler times to this contemporary tale. The character designs are expressive, capturing subtle emotions effectively through body language, while the scenic backgrounds bring the coastal setting to life. The paneling is well-paced, ensuring smooth transitions between comedic, romantic, and emotional moments. This graphic novel, originally released on WEBTOON, was based on Marchant’s Wattpad novel of the same name, and the story has also been made into a film.

Engaging characters and appealing, nostalgic artwork make for a satisfying read. (Graphic romance. 13-17)

Pub Date: July 1, 2025

ISBN: 9781546175247

Page Count: 224

Publisher: Graphix/Scholastic

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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