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THE SCRIBE METHOD

THE BEST WAY TO WRITE AND PUBLISH YOUR NON-FICTION BOOK

A refreshingly transparent guide to writing that plays on would-be authors’ desire to sell books.

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In their follow-up to The Book in a Box Method (2015), Max (How to Naturally Increase Testosterone, 2014, etc.) and Obront break down the intimidating prospect of writing a nonfiction book into a series of manageable minitasks.

Max promises in the introduction, “I will teach you everything you need to know to make sure you write a great book—one that impacts readers lives and cements your legacy.” It might sound grandiose, but Max is confident that his experience writing and marketing bestselling books (for himself and for others) has taught him the secrets to publishing success. The process begins not with writing the first sentence but with outlining the book’s trajectory: setting the proper expectations for yourself, silencing your doubts, and positioning your book (i.e., figuring out “the place your book occupies in the mind of your reader and how that reader perceives your book as fulfilling their needs”). While there are some traditional writing tips here, what separates this from other writing guides is that the authors focus on boosting sales. In one case study, simply revising the book description (the finer points of which they provide) doubled a book’s sales within an hour. While some of these strategies may appear to be shortcuts or Band-Aids, many (like making sure your prose is simple and direct enough for a 12-year-old to read) aren’t easy so much as they are smart and simple. Max, the controversial writer of “fratire” memoirs, serves as the primary author, and the prose is inflected with his distinctive, conversational, and often blunt voice: “Let’s be clear: A good title won’t make your book do well, but a bad title will almost certainly prevent it from doing so.” His approach may be frank, and the tone is assuredly self-congratulatory, but even skeptical readers will find mantras to take back with them to their writing. While this is certainly not the only book an aspiring author should read, Max and Obront provide a vast amount of practical information that few other guides offer due to its explicitly commercial or promotional nature. Nonfiction authors, particularly those going the self-publishing route, will learn much from this business-minded manual.

A refreshingly transparent guide to writing that plays on would-be authors’ desire to sell books.

Pub Date: May 7, 2019

ISBN: 978-1-5445-1406-2

Page Count: 480

Publisher: Lioncrest Publishing

Review Posted Online: June 27, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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