The preschooler who narrates this story finds that whenever the situation appears out of control, there's only one answer: to hidebehind the couch, in the hidey hole under the stairs, under the dinner table, the bed, the bedcovers. When the child makes her mother angry by tossing her dinner onto the floor, she goes under the table to scold a naughty stuffed rabbit. The wicked rabbit looks properly admonished; throughout the cunningly crafted sequence of cutaway pastel illustrations, the stuffed animals react to the child's imaginative forays in a way that is thoroughly gratifying. The child admits that making a ``small sound'' is a good way to allow herself to be found, and readers can see that her dignity is intact. A wise, gently humorous book, perfect for all those who have ever attempted to run away and have been only too glad to have their plans thwarted. (Picture book. 2-5)
Pub Date: Sept. 1, 1997
ISBN: 0-531-30056-0
Page Count: 32
Publisher: Orchard
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 1997
Karlin (The Fat Cat Sat on the Mat, 1996, etc.) echoes Dick, Jane, and Sally—``I see the can. I can kick the can''—but the resemblance is fleeting, for the wordplay in this I-Can-Read entry is clever and bright. Young readers will be amused at the flurry of homonyms—``I can see a fly fly'' among them. There are excursions into past and present, and pokes at pronouns and the and a. Anchoring the book, which is narrated by two kittens, is the word ``seesaw.'' Karlin breaks it up, twists it around, and generally makes merry with the word's many possibilities. ``Look, a saw,'' says one kitten. ``I can see the saw,'' replies the other. ``I can saw the seesaw.'' But a frog gets the last lick: ``And I saw you saw the seesaw''—a grammatically slick tongue-twister. Simple watercolor illustrations crisply depict the meaning of the words, cutting through the ambiguity, and leaving readers with nothing but the purest pleasure. (Picture book. 3-5)
Pub Date: May 11, 1997
ISBN: 0-06-026677-5
Page Count: 24
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
BOOK REVIEW
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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