An otter with the soul of a poet goes on a moonlit quest. Flibbertigibbet sleeps all day and prowls his woodland world by the light of the “freckly” moon, admiring the wonders of nature. One night, King Otter disturbs his reverie with an insult and a demand: The “lazy” Flibbertigibbet must catch him a fish on a silver dish before first light. Flibberty swims quickly downstream and, upon surfacing, gets an offer of help from majestic Heron. The duo travels in tandem for miles, nearly to the sea, further than Flibberty has ever swum. It’s nearly morning, there’s no sign of Heron and no sign of a fish; Flibberty rounds a bend and there stands King Otter, awaiting his meal. All seems lost until a (nearly literal) Hail Mary pass saves the day, and turns this odyssey into an allegory. Humphries’s lyrical prose, festooned with internal rhymes and wordplay, is perfectly matched to his beautiful, dusky watercolors. They shine with a silvery light, investing the adventure with a suitably majestic magic. First-rate. (Picture book. 6-9)
Pub Date: Sept. 1, 2009
ISBN: 978-1-906250-69-0
Page Count: 32
Publisher: Boxer Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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