Generously open to young readers’ interpretations, this Swedish import lingers
A stony, lonely, mountain-dwelling Creature longs for companionship.
Prime’s translation conveys Stark’s fey tale to English-speaking readers with understated whimsy. Immured in her cave during the day to escape the harmful rays of the sun, the Creature thinks the world outside is as gray as her cave. She “dreams of the moon and of having someone small to sing to and care for.” At night, she emerges. She tries to swim to the moon, but it “shatter[s] into a thousand gleams.” She sings, “GRRR,” and blows spit bubbles as she looks up at it. The Creature is intemperate in her loneliness, and young readers will understand how her grumpiness leads her to pound the walls. Then a stray sun spark flies into her cave and becomes, for a single day, the Creature’s new Little Small. They aren’t really compatible at all, but the Creature does her best to understand the spark, who shows her the world’s colors and describes its landscapes and inhabitants. While their relationship is as evanescent as, well, a spark, it is nevertheless transformative for both; the Creature can now see colors, and the tiny spark sings a farewell “GRR” as it travels back to the Sun, lofted up in a spit bubble. Bondestam’s collage illustrations depict the Creature as a gray, pear-shaped figure with pointy teeth that somehow don’t seem scary at all.
Generously open to young readers’ interpretations, this Swedish import lingers . (Picture book. 4-8)Pub Date: March 27, 2018
ISBN: 978-1-59270-209-1
Page Count: 52
Publisher: Enchanted Lion Books
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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