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THERE'S A BAT IN BUNK FIVE

Danziger's camp novel has Marcy from The Cat Ate My Gymsuit tapped by English teacher Ms. Finney to be a CIT (Counselor-in-Training) at a summer arts camp. After one day with the other counselors and another with the kids, Marcy and her senior counselor are close enough to "adopt" each other as sisters, and she and male counselor Ted establish a relationship that is "more than a crush." (She's already overcome a potential crush on Jimmy, the camp Don Juan.) More realistically, the obligatory camp pill, Ginger, does not become a lovable team player. Her problems might be too big for the camp to solve, camp head Ms. Finney (now Barbara) finally admits when Ginger runs away. Still, Marcy feels guilty for being too wrapped up with Ted and such to attend to the younger girl's needs. Marcy for her part is counseled by Barbara, still a model adult, with no "magic pills" for anyone but lots of support which encourages them all to talk out their problems. On a swing at night she speaks to Marcy about becoming adult, putting problems in perspective, and not expecting perfection of herself or others. From Barbara's exemplary surrogate-parenting to Marcy's continuing lack of communication with her father and her new fear of her feelings when kissing Ted, this gives us pop-psychology profiles instead of imagined characters and shallow with-it attitudes instead of sincere probing. Danziger's fans probably won't mind, but neither will they be stretched an inch.

Pub Date: Oct. 29, 1981

ISBN: 0142406813

Page Count: -

Publisher: Delacorte

Review Posted Online: April 19, 2012

Kirkus Reviews Issue: Oct. 1, 1981

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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