Although Stephenson credits the hard-boiled detective novels of James Crumley as the spiritual spark plug for this antic thriller, these adventures of an ultrahip sleuth who tracks ecological crooks owe more to the comic iconoclasm of Richard Farina and William Kotzwinkle—and the immature campus high jinks of Stephenson's own The Big U (1984)—than to Crumley's knowing, semitragic ironies. Narrator Sangamon Taylor, "the granola James Bond," is the resident gumshoe of GEE, a Greenspeace clone based in Boston and dedicated to nonviolent sabotage of polluting companies. A self-styled "professional asshole," late-20s Taylor dresses like a slob, struts his self-righteousness like a badge, and lists nitrous oxide as his drug of choice. Fortunately, he also spins a funny, cocky, engaging rap as he tells of his battle with the villainous Basco company—a battle catalyzed by his find that lobsters in Boston Harbor are packed with PCBs, legacy of an illegal 1956 dumping by Basco. A nighttime boat duel with Basco's goons—Sangamon on his trusty Zodiac raft, the heavies on a smuggler's Cigarette speedster—and a daytime showdown in Basco's boardroom plunges Sangamon into hot water as Basco frames him as a terrorist bomber, sending him on the run. Hiding out in Maine, Sangamon joins forces with a real, world-class terrorist; after they make national news by foiling an assassination attempt on Basco's owner by a polluted Basco employee, they return to Boston to tackle the Big Problem: in trying to cover up its PCB dumping, Basco has loosed a gene-spliced organism that threatens to convert all the salt in the sea to organic chlorine. A violent confrontation in Boston Harbor (on an island of garbage inhabited by fans of a satanic heavy-metal band), a tense brush with a lethal Navy SEAL, and a "mediagenic" assault on a Basco ship loaded with pollutants end this manic tale. Stephenson's high-octane narration, drenched in environmental lore, grabs from start to finish despite its cloying smugness; a likely hit in college/cult circles, this book—with film rights already sold—may entice a wider readership as well.
Pub Date: May 26, 1988
ISBN: 1596062487
Page Count: 308
Publisher: Atlantic Monthly
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: April 15, 1988
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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