Fierce and lyrical.
Wild West noir from Waite (The Terror of Living, 2011), his second literary effort.
But this isn’t the Wild West of rustlers and cattle barons. It’s southern New Mexico on the cusp of the second millennium, and the range war is between the Mexican drug cartel and the local drug kingpin, an ugly and blood-drenched fight that ranges across the desert and mountains and pumped-out oil fields along the border. Raymond Lamar, son of a Mexican cook and a hard-driving Anglo wildcatter, returned from Vietnam, worked the oil fields until the oil and the work dried up, and then signed on as a pistolero for Memo, a Las Cruces dealer controlling the border country. Times were hard, jobs scarce and the money good, but Ray’s wife, Marianne, didn’t approve. Dead soon thereafter from an apparent “accidental” car crash that left their son Billy brain-damaged, Marianne became a victim of the violence Ray brought home. Guilt-ridden, revenge-minded Ray believed the cartel responsible, and he pressured his cousin Tomás Herrera, the local sheriff, to confront the woman rumored to be the cartel’s local chief. The woman was shot dead, Herrera lost his job, and Ray disappeared into the drug war’s deadly jungle. Now promised big money by Memo and hoping to reconnect with his deaf-mute son, Ray agrees to one last job, wetwork that eventually leaves a trail of dead bodies along the borderland. Waite writes with grace and poignancy and keen comprehension of hard men in hard circumstances, especially in delineating Ray, Tomás and Dario, local cartel kingpin. While he doesn’t fully explore the Hispanic-Anglo cultural clash muddying the flow of narcotics north, and female characters are somewhat tangential, Waite’s narrative rages as a perfect torrent of violence flooding toward its inevitable conclusion.
Fierce and lyrical.Pub Date: April 16, 2013
ISBN: 978-0-06-221688-5
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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