Heartfelt and charming; a book that goes down easy.
Achingly sweet and unexpectedly nuanced, Emmich’s clever debut follows the unlikely bond between a grief-stricken actor and a gifted 10-year-old girl in Jersey City.
Joan Lennon Sully is a 10-year-old with a startling gift: she can remember, in exacting detail, everything that’s ever happened to her. She knows how many times her mother has said “it never fails” in the past six months; she remembers the date and reason for every time she’s ever cried (Wednesday, March 25, 2009: the day Pepper was put to sleep; Wednesday, May 15, 2013: the day Mrs. Dresden called time on a test before she was finished). But she knows most people do not have her memory; most people, she understands, forget things, and Joan Lennon does not want to be forgotten. So when she spots an ad in the paper for “The Next Great Songwriter Contest,” she sees her answer: a good song is like a permanent reminder, she reasons. If she can win the Next Great Songwriter Contest with a Joan Lennon original, then she’ll never be forgotten. She just needs to find the right collaborator—and that’s where Gavin Winters comes in. An old friend of Joan’s parents, Gavin is a successful actor in Los Angeles overwhelmed with grief after his partner Sydney’s sudden death. After he has a very public breakdown (fire was involved), Joan’s parents invite Gavin to take refuge with them in New Jersey, where he and Joan strike up an unusual deal: he’ll help Joan with her song if, in return, Joan will recount her memories of Sydney, snapshots from his few visits to the family over the past several years. But what starts as a source of comfort for Gavin takes an unsettling turn when Joan unknowingly reveals details that force Gavin to contemplate the possibility that Sydney may have been keeping secrets of his own. Overwhelmingly tender, sometimes verging on saccharine, the novel gets by on its profoundly likable pair of leading characters: what the book lacks in bite, it makes up for in charm.
Heartfelt and charming; a book that goes down easy.Pub Date: May 30, 2017
ISBN: 978-0-316-31699-6
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
PROFILES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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