A passionate, gorgeously written fictional account of an intellectual Russian woman's journey back to God and the Orthodox Christianity of her ancestors. ``Veronica,'' a widow in her mid-40s, journeys to the ancient monastery of Dzhvari in Georgia with her beloved son Mitya. The monastery is tiny and austere, and mother and son are met by just three monks. Still, life there is a revelation. Practicing the ancient ``Jesus Prayer,'' taking Communion, and talking with the terse, insightful abbot, Father Michael, is like finding water after a lifetime of thirst to this member of the Russian intelligentsia. Although women generally are forbidden in the monastery, Veronica is given special permission to stay for a period of weeks. Realizing that her days there are numbered, she drinks in everything, talking with the abbot at every opportunity. Their conversations are anything but light: ``Father Michael had said that in order to believe in God and receive this truth you must offer your entire being—your heart, will, understanding, mode of life. What can understanding do by itself?'' When their brief stay is up, both mother and son seem to have tasted something of a truth that passes human understanding. The story then jumps ahead six years: Veronica, now 50, visits another near-abandoned monastery (this one for women) while she awaits word from her son, who has become a monk. Though lonely, she puts her life in God's hands, reflecting on all the holy and instructive encounters she has had since she became a Christian a mere decade before. Miraculously, she receives word that her son has been sent to serve as a priest in a remote parish: God is good. She'll join Mitya and will live the rest of her life plumbing the mystery of Christianity with her son. A contemporary Way of the Pilgrim, first published in Russia in 1989, that's also a profoundly moving look at the state of one brave Russian woman's soul.
Pub Date: July 2, 1993
ISBN: 0-517-59194-4
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
The queen of Texas melodrama takes metaphor perhaps a step too far as she pits her heart-transplant-patient heroine against a serial killer obsessed with stopping her new heart. Having as a child survived Hodgkin's disease, her parents' double suicide, and life in a series of substandard foster homes, feisty redhead Cat Delaney is more than able to wisecrack her way through a heart transplant operation at the peak of her career. Famous as a star of the television soap opera Passages, Cat experiences both a literal and figurative change of heart after her surgery, abruptly opting to drop her acting career, move to San Antonio, and create a local news segment aimed at matching abandoned children with good adoptive homes. She breaks off an affair with Dr. Dean Spicer, her wealthy cardiologist, and falls madly in love with Alex Pierce (``His tongue was nimble, his appetite carnal''), a Houston cop turned mystery writer whose sudden appearance in her life may not be coincidental. When newspaper articles describing murders of other heart transplantees begin appearing in Cat's mailbox, she realizes she's being stalked by a lunatic obsessed with stilling the heart of a loved one who may or may not be her donor. As the anniversary of Cat's transplant nears, the threat of violence grows greater. But from which direction comes the danger?: From her hostile secretary, possibly related to a woman who was murdered on the day of her transplant? From the stepfather of one of Cat's orphan clients, whose greatest rival may have been Cat's donor? Or (horrors) from sexy Alex, whose past holds more secrets than she could ever guess? Highly schematic and hastily sketched, this nevertheless provides a satisfying dose of Brown's (Where There's Smoke, 1993, etc.) famously raunchy sex scenes (`` `I want to know I'm with a man. I want to be taken. I want—' `You want to be fucked.' ''), and a certain raw enthusiasm that will no doubt increase her legion of fans. (First printing of 300,000; Literary Guild main selection)
Pub Date: May 2, 1994
ISBN: 0-446-51656-2
Page Count: 432
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
An overstuffed tale that can’t decide if it’s a mystery or a romance.
Moriarty’s second novel follows the Doughty clan as they fight to protect family secrets.
The Doughtys became famous more than 70 years ago when Connie and Rose Doughty found a baby on their island home, Scribbly Gum. The baby’s parents, Alice and Jack Munro, vanished, leaving few clues to their whereabouts. The circumstances around the abandonment created a national media sensation. Dubbed “The Baby Munro Mystery,” the case captivated Australians and turned sleepy Scribbly Gum Island into a tourist destination. Connie and Rose jumped at this chance to make money. They offered tours and concessions based on the Munro’s disappearance. Their schemes created a financial windfall for the Doughty family. As the business grew, Connie and Rose managed to keep the younger generations of Doughtys on a tight leash by controlling the purse strings. After setting up this bleak bit of history, Moriarty focuses on the island’s current residents. The Doughty grandchildren and great-grandchildren seem to have prospered in their pristine surroundings, but in reality they are a tortured bunch. The family’s troubles surface when the matriarch, Connie, dies. Infighting breaks out among the relatives, and the careful fabric that bound the family together for years starts to unravel. The comparatively sane and notably saucy Sophie Honeywell is thrown into this den of nutcases—Sophie had only met the dowager a handful of times, when she was dating one of the Scribbly Gum natives, but apparently Sophie made such an impression that Connie bequeathed to her her home. Eager to toss aside Sydney’s stale singles scene for the opportunity to live rent-free on the picturesque island, Sophie joins the fray. Moriarty (Three Wishes, 2004) presents far too many characters (five generations are accounted for), and none of them are likable. The old ladies are cantankerous and the younger folk are addle-brained. Sub-plots involve postpartum depression, gay relationships, mid-life crises and weight-control issues.
An overstuffed tale that can’t decide if it’s a mystery or a romance.Pub Date: June 1, 2006
ISBN: 0-06-089068-1
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
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