A girl’s unusual journey to self-realization: disturbing, enchanting, and wise.

RABBIT, RABBIT, RABBIT

An uncanny darkness engulfs a girl obsessed with hatred for her violent father in this debut YA novel.

This deeply resonant tale is one that will linger in the mind long after reading it. Ten-year-old Lily’s alcoholic, rage-filled father, Henry, first came into her life two years ago, showing up at Aunt Ruth’s mountain cabin where the girl; her sister, Rose; and their mother were living. Henry moved them from the forests of British Columbia to a suburb that “hung off the big city of Vancouver like a wart.” If Henry has any love to give, it is submerged in verbal and physical cruelty. Lily and her mother bear the brunt. Quiet, enigmatic Rose, Lily’s only comfort, keeps her head down. “Henry lived in the clench of my jaw and the curl of my fists,” says Lily, the novel’s remarkable first-person narrator. Her mother, consumed by mental illness and an untold sense of guilt—and trailed by an unsettling shadow that only Lily can see—won’t leave Henry. (The tragic past that binds them emerges with maximum, shocking effect over the course of the story.) Lily finds strength in her hatred. Her quest for enough power to get rid of Henry and get Mama back to the healing wildness of the forest leads her to an unsettling book of spells and a bleak path to retribution. Yet the benign influence of her astute aunt, the forest itself, and Calum, the mysterious boy Lily encounters there, offer a lighter path if she chooses to take it. Layers of meaning abound in Dunsmore’s expressive writing in this striking tale: “Summer crept along the landscape, poppies poked out of the ground, and bleeding hearts dripped with blossoms.” The crowd at a racetrack “was a tangle of spicy cologne and skunky armpits, musky horses, and manure so bitter I could taste it.” Caterpillars “wrapped like rings” around Calum’s fingers and “returned as butterflies to sleep in his hands.” How much of what happens is reality, magic, Lily’s imagination, or a mix of all three? Readers can decide.

A girl’s unusual journey to self-realization: disturbing, enchanting, and wise.

Pub Date: N/A

ISBN: 978-1-5255-6532-8

Page Count: 139

Publisher: FriesenPress

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 15, 2020

Did you like this book?

No Comments Yet

Riveting, brutal and beautifully told.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

A lush and darkly twisted modern fairy tale.

HOUSE OF HOLLOW

Ten years ago, the three Hollow sisters disappeared from an Edinburgh street while on holiday. A month later, they came back.

When Iris, Vivi, and Grey returned, they couldn’t remember anything of their ordeal. Their dark hair turned white, and their blue eyes became black. They sported identical hook-shaped scars on their necks. Despite their altered appearances, their parents were elated to return home to London with them. However, their father soon began to believe that they were not really his daughters, a conviction that led to his suicide. Since then, the story of now 17-year-old Iris and her older sisters has been like catnip to online sleuths, and their ethereal beauty and uncanny ability to bend people to their wills and intoxicate them with dangerous desire add to their mystique. When Grey, now an internationally famous fashion designer and model, goes missing, Iris and Vivi, with help from Grey’s Korean British boyfriend, Tyler, set out to find her and the truth behind their disappearance. Their search takes on a new urgency when they find a decomposing body blooming with white flowers in Grey’s apartment and they are pursued by a murderous man wearing a horned bull’s skull mask. Iris’ smart and assured narration easily carries a fast-paced story entwining themes of grief and loss with elements of folklore and some very inventive body horror. The pervasive feeling of dread builds to a shocking twist.

A lush and darkly twisted modern fairy tale. (Horror. 13-18)

Pub Date: April 6, 2021

ISBN: 978-0-593-11034-8

Page Count: 304

Publisher: Putnam

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

No Comments Yet
more