Next book

LIKE, LITERALLY, DUDE

ARGUING FOR THE GOOD IN BAD ENGLISH

With authority and wit, Fridland explains the evolution of language and embraces the dynamism it shows.

A specialist in sociolinguistics conducts a lively study of how and why our language is changing.

According to Fridland, a professor of linguistics and a frequent commentator on language issues, the maxim that rules are made to be broken is made clear by the evolution of language, especially the variety of English spoken in the U.S. Her aim is not to condemn the most recent wave of modifications but to praise the energy and innovative spirit involved. In fact, trying to stamp out linguistic innovations seldom works—and often makes them more popular. “Language change is natural, built into the language system itself, and not just a way for teenagers to torture their parents,” writes the author. As she examines the social meanings of language, she notes that most changes originate from young people, women, and lower-income groups to build solidarity and combat established authority. To illustrate, she dives into the evolution of the terms noted in the book’s title. As something called a discourse marker, like has been around for a surprisingly long time, although its ubiquity is recent. Another bugbear of older generations—the use of literally as an intensifying adjective—also has a complex history. It appears that many of the people who use it in this way may not know the actual meaning of the word, and they use it to mean very. Its new role demonstrates how linguistic fashions catch on, with social media spreading it beyond the originating group. Likewise, dude is no longer used exclusively by young men and has developed a myriad of meanings flowing from nuance and context. Fridland has great fun with her subject, following the various lines of argument and delving into the subterranean roots of changes. The growing use of the singular they, for example, relates to attempts to de-gender traditional language forms. In short, the book is an interesting, entertaining read.

With authority and wit, Fridland explains the evolution of language and embraces the dynamism it shows.

Pub Date: April 18, 2023

ISBN: 9780593298329

Page Count: 336

Publisher: Viking

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

Next book

ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Close Quickview