THE THREE PANDAS

Name: THE THREE PANDAS
Author: Valerie Mih

by Valerie Mih & developed by See Here Studios ‧ RELEASE DATE: April 23, 2011

The Panda Family takes a break from its breakfast of bamboo leaf porridge to take a walk in the bamboo forest. While they're...

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A modern take on "Goldilocks and the Three Bears" features a charming style of animation and a lovable family of pandas.

The Panda Family takes a break from its breakfast of bamboo leaf porridge to take a walk in the bamboo forest. While they're gone, a young girl named Mei Mei walks through the familiar home-intrusion routine that most children will recognize. She finds Baby Panda's porridge to her liking, deems his chair most comfortable (but not before breaking it) and ends up in his cozy bed. What could have been a lazy retread with pandas and a distinct Chinese influence is instead made fresh with the app's animations, which combine photo collages, a live-action actress portraying Mei Mei (in a red dress and black Mary Janes) and movement for the pandas when the reader "tickles" each of them, as the app advises. The app can be experienced in English and Chinese (in both the text and optional narration), and a portion of the proceeds from each app sale goes to Pandas International, which has partnered with the publisher. Except for two letters that are exchanged at the end bringing the pandas and Mei Mei back together for a happy ending, the story is not much different from what readers expect from a "Goldilocks" story.

Pub Date: April 23, 2011

ISBN: N/A

Page Count: -

Publisher: See Here Studios

Review Posted Online: May 26, 2011

Kirkus Reviews Issue: June 15, 2011

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CARPENTER'S HELPER

by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

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A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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HOW TO CATCH A WITCH

by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022

Not enough tricks to make this a treat.

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Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)