An exhilarating companion piece to the first in the series.
Ancient languages professor Dr. Cloe Lejeune returns to stop an evil organization from locating a cave of oil jars crucial to the survival of Christianity in Mayhall’s (Judas the Apostle, 2013) latest religious thriller.
Cloe is translating parts of an old journal that may have been written by an apostle chronicling three years in the life of Christ. The documents were found in ancient oil jars, one bequeathed by her late father and the other from the Sicarii, a group protecting a cave reputedly filled with similar jars. Pope Francis enlists Cloe to find the elusive cave, since proof of the apostle’s diary might have the power to either confirm or refute the Gospels. He also hopes to find the cave before a villainous enterprise; Cloe has already dealt with its murderous leader, the Kolektor, but he’s gone, replaced by his former servant, the Karik, as well as a mysterious heir. Cloe, her military son, J.E., and Monsignor Albert Roques join Swiss Guards in tracking down the cave. The author’s novel is rife with mystery, as Cloe’s group uncovers a myriad of clues, from tunnels in the Church of St. John in France to a burial site in Tunisia, Africa. Mystery even surrounds some of the characters, particularly Miguel, who’s trailing the Karik (and by extension, Cloe and the others) for killing his family with a bomb intended for him; the reason he’s initially a target doesn’t come to light until later. Mayhall recaps his previous novel thoroughly but nonintrusively, opening with momentum (the Sicarii facing the advancing Romans in A.D. 70) and relaying the earlier plot in snippets as the story progresses. Cloe is a commendable protagonist, more than proving her worth intellectually but also handling herself physically; she shows that a high heel can be a weapon, too. While the strongest scenes involve Cloe’s making her way to the cave using the Sicarii’s cryptic signs and biblical verses, the novel has its share of action, including a plane that goes down and a standoff with gunfire and grenades. Once again, Mayhall wraps everything up quite nicely while leaving the story open for another sequel. Reading the preceding novel isn’t a requirement, though this volume will likely inspire readers to do so.
An exhilarating companion piece to the first in the series.Pub Date: Feb. 6, 2014
ISBN: 978-1491721087
Page Count: 372
Publisher: iUniverse
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
