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Battlefields

An endearing, if protracted, novel of self-discovery.

Smith tells the story of a gay man’s tumultuous search for love in this erotic debut novel.

Wilson James doesn’t have much guidance while growing up in a dysfunctional African-American family in Los Angeles. His parents are split up: his father is a distant alcoholic and his mother is a woman given easily to fits of rage. Wilson can’t go to them with his everyday problems, let alone his secret, blossoming attraction to men. After an eye-opening tryst at age 13 with his father’s 24-year-old cousin, Wilson becomes certain that the love he needs can only come from other males—specifically, grown men with the experience to guide him through the unknown territory of pleasure. So begins his search for satisfaction, although his youth and vulnerability often place him in situations in which older men are able to take advantage of him in ways he doesn’t always understand. As Wilson learns to navigate adulthood, his quest for affection becomes a journey of personal growth in which he seeks to lay to rest the ghosts of his childhood and find a way to engender love—not only in the hearts of others, but also in himself. Smith is a sensual writer, executing every scene in lusty, baroque prose. Unfortunately, this lyricism often leads to overwrought passages that confuse rather than elucidate: “Fragile by circumstance, I was a slave to poignant inclusiveness, and my innocence preyed upon by trusted foes, as a naïve participant sworn into darkened territory.” Wilson and his primary love interests are well-drawn, and Smith teases out enough emotional investment to carry readers through to the end. That said, the novel would have benefited from a bit more compression; its 467 pages might have been stronger at a lean 300. On the whole, however, there’s a charm to Wilson’s voice and journey, his ability to find high drama in the commonplace, and his attempts to wring beauty from often grim (and sometimes grimy) surroundings.

An endearing, if protracted, novel of self-discovery.

Pub Date: Aug. 20, 2015

ISBN: 978-1-5089-0788-6

Page Count: 496

Publisher: CreateSpace

Review Posted Online: Nov. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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