A cheerfully illustrated and alliterative stroll through a child’s garden.
Young children who enjoy bright colors, cartoonlike illustrations and the pleasures of an adult reading to them will enjoy time spent in Molly’s garden. There, they are asked to consider a world filled with bumble bees, blackbirds and butterflies alongside flowers, ladybirds, snails, spiders, trees and worms—before being invited to go outside and explore their own gardens. Each of 10 two-page spreads focuses on one of Molly’s activities, all of which suggest a comfortable interaction with the natural world; whether she is balancing a butterfly in her hands, letting a ladybird land on her finger, stroking a snail’s head or watering flowers, Molly is at home in nature. The author relies on alliteration to draw this world (“Molly bends down to bond with a bumble bee … busy flying between flowers”); while this device may be a useful educational tool that engages young readers, it may prompt adult readers to wonder whether alliteration need sacrifice interest (“Molly turns toward a towering tree. This tree has a trunk that is thick and tall”) or accuracy (a white watering-can pours water over “wilting” flowers that do not appear wilted in the accompanying artwork). The illustrations offer a range of bright colors and shapes; a brighter image on the left side is mirrored by a paler image on the right where the text is located, making the printed words stand out. This may, however, leave readers looking for something more to keep their attention. The graphics are comprised of simple, rounded shapes that may be too short on detail for young readers. The story is also a bit random at times, with no particular rhyme or reason guiding the events that occur in Molly’s garden: Activities that might build a sense of a story—like each interaction with a bird, bug or flower—could have happened in any order. A well-intentioned but slender invitation to explore the natural world through sight and sound.
Pub Date: Jan. 27, 2012
ISBN: 978-1469157818
Page Count: 24
Publisher: Xlibris
Review Posted Online: April 18, 2012
Review Program: Kirkus Indie
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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