A jaunty and sexy twist on a classic.
Pride and Prejudice...if the heroine wore pasties.
Elizabeth Bennet is a self-proclaimed woman of many names—Bennet to friends, Lizard to family, Liz at her day job, and Kitten when she moonlights. Bennet spends her weekdays as an executive assistant at a startup and her weekends “kittening” for a burlesque show at Meryton, a Tribeca club. Bennet’s duties involve picking up discarded undies and other scanty regalia after the performances of her co-workers, including her BFF Jane Okogu, the aerialists Ginn and Tonic, and Renaissance woman Ming DyNasty. When handsome and aloof patron Will Darcy catches Bennet’s eye, she foresees a more interesting end to her night than expected. That is, until she overhears him damningly describe her as “thoroughly tolerable.” As it turns out, Darcy’s friend Charles Bingley—Jane’s new love interest—and Meryton manager Andrea are trying to buy the property, and Bennet must move past the trauma that ended her previous career as an interior designer and follow her dreams: “Now Andrea is buying the building. And renovating....A thrill dances up my spine at the prospect....Meryton has facilitated so much good in my life; the least I can do is contribute to this new chapter of its story.” As Bennet works to overcome her insecurities, she must also contend with the arrival of the witty, if poorly dressed, George Wickham, whose questionable motives and troubled past with Darcy are slowly revealed. While King’s attempts at Austen-ian repartee feel largely superfluous to her otherwise deft and fun storytelling, this is nonetheless an original take on the source material, filled with three-dimensional characters.
A jaunty and sexy twist on a classic.Pub Date: Nov. 2, 2021
ISBN: 978-0-593-33071-5
Page Count: 368
Publisher: Putnam
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
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BOOK TO SCREEN
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