A jaunty and sexy twist on a classic.

A CERTAIN APPEAL

Pride and Prejudice...if the heroine wore pasties.

Elizabeth Bennet is a self-proclaimed woman of many names—Bennet to friends, Lizard to family, Liz at her day job, and Kitten when she moonlights. Bennet spends her weekdays as an executive assistant at a startup and her weekends “kittening” for a burlesque show at Meryton, a Tribeca club. Bennet’s duties involve picking up discarded undies and other scanty regalia after the performances of her co-workers, including her BFF Jane Okogu, the aerialists Ginn and Tonic, and Renaissance woman Ming DyNasty. When handsome and aloof patron Will Darcy catches Bennet’s eye, she foresees a more interesting end to her night than expected. That is, until she overhears him damningly describe her as “thoroughly tolerable.” As it turns out, Darcy’s friend Charles Bingley—Jane’s new love interest—and Meryton manager Andrea are trying to buy the property, and Bennet must move past the trauma that ended her previous career as an interior designer and follow her dreams: “Now Andrea is buying the building. And renovating....A thrill dances up my spine at the prospect....Meryton has facilitated so much good in my life; the least I can do is contribute to this new chapter of its story.” As Bennet works to overcome her insecurities, she must also contend with the arrival of the witty, if poorly dressed, George Wickham, whose questionable motives and troubled past with Darcy are slowly revealed. While King’s attempts at Austen-ian repartee feel largely superfluous to her otherwise deft and fun storytelling, this is nonetheless an original take on the source material, filled with three-dimensional characters.

A jaunty and sexy twist on a classic.

Pub Date: Nov. 2, 2021

ISBN: 978-0-593-33071-5

Page Count: 368

Publisher: Putnam

Review Posted Online: Aug. 18, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

REMINDERS OF HIM

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Fresh and upbeat, though not without flaws.

THE LOVE HYPOTHESIS

An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 28, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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