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THE LAST BLOODCARVER

From the Last Bloodcarver Duology series , Vol. 1

An entrancingly well-written debut.

Nhika has been called many terrible things throughout her short life, but she knows herself to be a heartsooth.

Heartsooths can read and manipulate a person’s body and blood with a mere touch of skin on skin. But in the technocratic city-state of Theumas, she’s feared and reviled as a monstrous bloodcarver. After Nhika’s captured by Butchers and sold to Mimi, the daughter of a wealthy industrialist, she’s set a seemingly impossible task—to heal the barely surviving witness to Mimi’s father’s recent untimely death. Nhika finally begins to hope she might be accepted and that she can use her gift as it was intended, laying some of the ghosts of her past to rest. But a chance meeting with Kochin, a mysterious boy who knows more than he should, soon spirals into a tangled web of intrigue and evil beyond her imagining. Nhika faces an impossible choice: whether to “help the first family to trust her, or follow the last person in the city who might truly understand her.” Le writes with meticulous care. The richly detailed worldbuilding is infused with Vietnamese cultural elements, and the characters, viewed through Nhika’s jaded yet desperately hopeful eyes, are sympathetic and complex, expressing conflicting emotions and motivations. The story demands, in the best possible ways, that readers think, posing questions of identity, family, and trust for them to ponder. The insidiously twisty ending packs a punch, leaving an opening for a sequel.

An entrancingly well-written debut. (map) (Fantasy. 12-18)

Pub Date: March 19, 2024

ISBN: 9781250881526

Page Count: 384

Publisher: Roaring Brook Press

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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