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FOUR OF A KIND

A WOMEN'S HISTORICAL FICTION

An edifying historical saga for readers interested in the evolution of women’s rights.

Russell’s debut historical novel explores the women’s rights movement through the eyes of four successive generations.

In December 1963, great-grandmother Ruby Wright gathers together her daughter, Bess Wright-Pickering; granddaughter, Katy Pickering; and great-granddaughter, Jesi Pickering. She gives them each the task of writing about their “year of awakening,” or, as Bess explains it, “a year of 4 seasons, where the spring seed of an event is born, grows, matures, and becomes winter wisdom as a life-changing realization.” Ruby, who came of age near the turn of the 20th century, discusses her stifling experiences as a Victorian-era housewife and her participation in the nascent women’s suffrage movement. She often brought her bright, obedient daughter, Bess, to the demonstrations, and the girl readily took up her mother’s mantle, later crusading for women’s rights and the ratification of the 19th Amendment. Her daughter, Katy, reveals a time in the 1940s when she traveled to Georgia, the site of her father’s plantation. There, she attempted to find out more about her father, who died before she was born. In the process, she uncovered shocking secrets, and around the same time, she became pregnant with Jesi, who was born with leg deformities and still requires the use of a brace. At first reluctant to write, Jesi soon divulges her experiences with a black boyfriend during the 1960s’ civil rights movement. In this ambitious novel, Russell vividly portrays the sexism and sense of powerlessness that all four women experienced. Each woman writes five chapters, and the novel alternates between them, sometimes abruptly. The author devotes most of the novel to the two eldest women, but Katy’s and Jesi’s stories are no less complex, and seem shortchanged by the narrative. It sometimes isn’t clear whether a character is writing, remembering past events or reading from journals or letters. Readers may feel that it takes considerable time to get to know each character, but once the women become familiar, the story reads much more smoothly. Despite a few grammatical errors and a somewhat protracted length, the novel manages to enliven and enhance a momentous period in history.

An edifying historical saga for readers interested in the evolution of women’s rights.

Pub Date: July 20, 2014

ISBN: 978-1497348936

Page Count: 496

Publisher: CreateSpace

Review Posted Online: Nov. 4, 2014

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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