An excellent text to introduce nascent readers to Dr. King’s story.
A complex piece of history is told in simple language.
This nonfiction beginning reader highlights the role of Dr. Martin Luther King Jr. in the March on Washington on Aug., 28, 1963. It also features a constellation of other activists who fought for African-Americans’ civil rights, some of whom the text names, such as gospel singer Mahalia Jackson, who often inspired Dr. King through song before he spoke, as at the march. Other activists appear only in the illustrations, and Comport leaves it to the reader to figure out who they are, such as the iconic image of Ruby Bridges being accompanied from William Frantz Elementary School by federal marshals in New Orleans and Rosa Parks sitting on a front bus seat in Montgomery, Alabama. Unlike Doreen Rappaport and Bryan Collier’s Martin’s Big Words (2001), this snapshot of Dr. King’s life does not include his assassination, but it also does not sugarcoat conflicts endemic to the civil rights movement. On one page, while a young black man waits to be served at a lunch counter, four young white men surround him in anger. On another, Dr. King sits thoughtfully behind jail bars. Comport’s artfully textured illustrations, rendered in muted colors, capture both the time period and the mood of these emotionally charged scenes well.
An excellent text to introduce nascent readers to Dr. King’s story. (author’s note) (Informational early reader. 6-9)Pub Date: Dec. 26, 2017
ISBN: 978-1-101-93669-6
Page Count: 48
Publisher: Random House
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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