by Veronica Li ‧ RELEASE DATE: May 20, 2015
An affecting look at caring for aging parents and a story of the nuances of Chinese culture.
A story of a woman caring for her parents with as much filial piety as she can muster.
Li (Journey Across the Four Seas: A Chinese Woman’s Search for Home, 2006, etc.) begins her story with an elderly Chinese couple bemoaning their children’s choice to place them in a nursing home, a conversation replete with quotations of Confucius and the virtue xiao, or filial piety. After Tak, the husband, swallows a bottle of vitamins in a suicidal gesture, they move to live in their daughter Cary’s home. As Cary moves her parents into the master suite, she thinks, “When a Chinese parent says, ‘You shouldn’t go to so much trouble for me,’ the reply he wants is, ‘To be able to serve you is my greatest honor.’ ” But when the pressure of caregiving builds, Cary has a confrontation with her father that sends him to bed for weeks. Cary then goes through the experience of convincing her independent father—a man who believes mental illness is not for Chinese people—to see a psychiatrist. Over the years, she clashes with her parents and still takes care of their every need. Her marriage, and even her dog, begins to suffer. She realizes she must redefine what filial piety means in practice. Li is a compassionate narrator, and her choice to write chapters from many perspectives (including the dog’s) rounds out the family drama in a way that leaves no clear heroes and no villains. The difficulty of watching parents age and falter mentally and physically is present but so is the love it takes to prioritize their wellness despite what they may do and say. Cary’s journey through caretaking is paralleled by a deepening of her understanding of Confucianism, her parents’ religion. A deep examination of what it means to see one’s parents through the end of life, Li’s book is also in many ways the story of a woman coming to grips with her heritage.
An affecting look at caring for aging parents and a story of the nuances of Chinese culture.Pub Date: May 20, 2015
ISBN: N/A
Page Count: -
Publisher: Homa & Sekey Books
Review Posted Online: March 23, 2015
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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