A searchingly personal memoir that also provides a thrilling peek into the Gulf War.
Cody recollects the terrifying year her husband—a U.S. Army helicopter pilot—was sent to war in the Middle East.
In 1990, Cody had been married to her husband, Dick, the commander of an “elite attack helicopter battalion,” for 15 years. She was accustomed to both long periods of his absence, as well as the danger of his profession. When he was deployed to the Gulf War in the wake of Iraq’s invasion of Kuwait, however, it felt different to her—she was uncharacteristically unprepared for his departure. While he was away, they were beset by various obstacles to communication—both technical and strategic since Dick’s principal mission was classified—and the author was sometimes reduced to interpreting newspaper headlines to divine the nature of his work. Still, Dick sent Cody nearly 100 letters during that period, some of which are reproduced in their entirety in this moving memoir. At the heart of her sometimes-anguished remembrance is the terror induced by the specter of the unknown: “It is hard to be patient, hard to ignore this feeling of mystery, because it involves the person I love most in this world. Then again, so many times in life, we don’t get to know the answers ahead of time. Maybe there’s a reason for that; maybe knowing what’s around the corner is far more stressful than living with the mystery.” Cody not only recounts her own experience on the homefront, but also Dick’s daring participation in a “history-making raid” to destroy Iraq’s most critical radar sites in advance of a full-scale invasion. The author’s informal prose forges an intimacy with the reader. This is an impressively candid recollection, poignant and thoughtful.
A searchingly personal memoir that also provides a thrilling peek into the Gulf War.Pub Date: N/A
ISBN: 978-1-64-742144-1
Page Count: 304
Publisher: She Writes Press
Review Posted Online: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
PROFILES
A powerful melding of image and text inspired by Instagram yet original in its execution.
Smith returns with a photo-heavy book of days, celebrating births, deaths, and the quotidian, all anchored by her distinctive style.
In 2018, the musician and National Book Award–winning author began posting on Instagram, and the account quickly took off. Inspired by the captioned photo format, this book provides an image for every day of the year and descriptions that are by turns intimate, humorous, and insightful, and each bit of text adds human depth to the image. Smith, who writes and takes pictures every day, is clearly comfortable with the social media platform—which “has served as a way to share old and new discoveries, celebrate birthdays, remember the departed, and salute our youth”—and the material translates well to the page. The book, which is both visually impactful and lyrically moving, uses Instagram as a point of departure, but it goes well beyond to plumb Smith’s extensive archives. The deeply personal collection of photos includes old Polaroid images, recent cellphone snapshots, and much-thumbed film prints, spanning across decades to bring readers from the counterculture movement of the 1960s to the present. Many pages are taken up with the graves and birthdays of writers and artists, many of whom the author knew personally. We also meet her cat, “Cairo, my Abyssinian. A sweet little thing the color of the pyramids, with a loyal and peaceful disposition.” Part calendar, part memoir, and part cultural record, the book serves as a rich exploration of the author’s fascinating mind. “Offered in gratitude, as a place to be heartened, even in the basest of times,” it reminds us that “each day is precious, for we are yet breathing, moved by the way light falls on a high branch, or a morning worktable, or the sculpted headstone of a beloved poet.”
A powerful melding of image and text inspired by Instagram yet original in its execution.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-44854-0
Page Count: 400
Publisher: Random House
Review Posted Online: Sept. 5, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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