A loving and informative tribute worthy of celebrating Cleary’s 103rd year of life.
A picture-book biography that illustrates how Beverly Cleary created art from her life.
Beverly grew up on a farm near Yamhill, Oregon, feeding the chickens—her friends in lieu of nearby playmates. As she grew, books became her close companions, and the few she had, her mother read to her repeatedly. Beverly’s hunger for new stories prompted her mother to start a children’s library in town. The family moved to Portland when Beverly was 6, and there she finally had playmates. She started school at Fernwood Grammar School, but as a struggling reader and a left-handed writer, Beverly found first grade challenging and unpleasant. She fell further behind when she got smallpox and finished first grade barely able to read. But a wonderful second-grade teacher helped her learn to read and to enjoy school, which changed everything. This informative and visually appealing account of Beverly Cleary’s path to children’s librarian and then author includes humorous details from her childhood that found their ways into the tales of her beloved characters. Cleary was determined to pursue the profession she had dreamed of since childhood, as explained in the backmatter and timeline. Hohn captures her lively spirit through illustrations, reminiscent of those by Alan Tiegreen for Cleary’s own books, that will keep young readers entertained. All characters depicted are white.
A loving and informative tribute worthy of celebrating Cleary’s 103rd year of life. (Picture book/biography. 5-10)Pub Date: Aug. 13, 2019
ISBN: 978-1-63217-222-8
Page Count: 48
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
A galloping marvel—enlightening and entertaining.
A succinct introduction to art history via a Seussian museum of equine art.
This posthumously published text recently discovered in Ted Geisel’s studio uses horse-focused art pieces to provide historical context to artistic movements. Showing art ranging from the Lascaux cave paintings to an untitled 1994 sculpture by Deborah Butterfield, Joyner’s playful illustrations surround the curated photographs of art pieces. By using horses as the departing point in the artistic journey, Seuss and Joyner are able to introduce diverse perspectives, artifacts, and media, including Harnessed Horse from the northern Wei dynasty, a Navajo pictorial blanket titled Oh, My Beautiful Horses, and photographs by Eadweard Muybridge. Questions to readers prompt thought about the artistic concepts introduced, aided by a cast of diverse museumgoers who demonstrate the art terms in action. Joyner further engages readers by illustrating both general cultural and Seussian references. Glimpses of the Cat in the Hat are seen throughout the book; he poses as a silent observer, genially guarding Seuss’ legacy. For art enthusiasts, some illustrations become an inside joke, as references to artists such as Alexander Calder, Salvador Dalí, Marina Abramovic, and René Magritte make appearances. Thorough backmatter contains notes on each art piece referenced along with a study of the manuscript’s history and Seuss’ artistic style. Absent, probably unsurprisingly, is any acknowledgment of the Cat’s antecedents in minstrelsy and Seuss’ other racist work, but prominent among the museumgoers are black- and Asian-presenting characters as well as a girl wearing hijab and a child who uses a wheelchair.
A galloping marvel—enlightening and entertaining. (Informational picture book. 6-10)Pub Date: Sept. 3, 2019
ISBN: 978-0-399-55912-9
Page Count: 80
Publisher: Random House
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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