by Vicki L. Weber ; illustrated by John Joven ‧ RELEASE DATE: Aug. 1, 2019
An appealing and effective age-appropriate introduction to some of Hillel’s teachings.
A Jewish sage confounds his students with his surprising teaching methods in this story based on a midrash.
Brandishing a “large linen cloth,” Hillel announces he will show how “to do a mitzvah.” His students know some of the 613 mitzvot, Torah commandments that teach people how to act. They remember how Hillel ingeniously taught the Torah to a man who wanted to learn the whole thing while standing on one foot: “Do unto others as you would have others do unto you.…That is the whole Torah. Now go and study.” Guessing at the rabbi’s intentions, the students suggest possible mitzvot: giving the cloth as tzedakah (charity), using it as a Sabbath tablecloth, or shading his parents with it. To demonstrate his lesson, Hillel shows them workers cleaning the king’s statue. The king’s image should be respected, but his students must understand something more important: that they “are made in God’s image.” He says: “When we keep ourselves clean, we honor God. And that is why taking a bath is an important mitzvah.” The digital illustrations have an animation aesthetic, and the people represented have diverse skin colorings and dark hair, realistic for the ancient Middle Eastern setting. The active-learning approach will engage young readers at home or in religious classes.
An appealing and effective age-appropriate introduction to some of Hillel’s teachings. (author’s note) (Picture book. 4-7)Pub Date: Aug. 1, 2019
ISBN: 978-1-68115-546-3
Page Count: 24
Publisher: Apples & Honey Press
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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