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THE MINERVA CLUB

Civilized entertainments redolent of bygone days.

From Canning (1911–86), best noted for hard-nosed thrillers like The Rainbird Pattern (1973), come two dozen stories, most no bigger than petit fours, from 1956 through 1965.

The tales fall into three groups. The first five deal with members of the Minerva Club, a gentleman’s club for convicted criminals. The best of these, “Three Heads Are Better Than One,” describes the efforts of the three Head brothers to steal appropriate gifts for their sister’s wedding. The following seven stories feature France’s Department of Patterns, whose members, under Papa Alphonse Grand, seek patterns among apparently random crimes and try to decode them. Especially clever are “Nine Little Fishermen,” which links a series of deaths to a drowning accident in 1950; “Tattoo Pattern,” which traces the fates of three mates tattooed with portraits of the Three Musketeers; and “The Chicken Breast Pattern,” which crams an impressive amount of ratiocination into its account of a truck hijacker who steals only frozen chicken breasts. The most original stories, and by far the shortest, are the 12 starring Dr. Lin Kang, a con man who spends his early years as an escape artist constantly marked for death and just as constantly eluding it, usually by putting someone else on the spot. Even when Kang turns into a more orthodox sleuth in “A Question of Tailoring” and “The Slasher Slips Up,” he retains an admirably sharp eye.

Civilized entertainments redolent of bygone days.

Pub Date: April 15, 2009

ISBN: 978-1-932009-76-7

Page Count: 232

Publisher: Crippen & Landru

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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VINELAND

If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.

Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.

Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.

Pub Date: Feb. 1, 1990

ISBN: 0141180633

Page Count: 385

Publisher: Little, Brown

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Jan. 15, 1990

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THE LIFE LIST

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Devastated by her mother’s death, Brett Bohlinger consumes a bottle of outrageously expensive Champagne and trips down the stairs at the funeral luncheon. Add embarrassed to devastated. Could things get any worse? Of course they can, and they do—at the reading of the will. 

Instead of inheriting the position of CEO at the family’s cosmetics firm—a position she has been groomed for—she’s given a life list she wrote when she was 14 and an ultimatum: Complete the goals, or lose her inheritance. Luckily, her mother, Elizabeth, has crossed off some of the more whimsical goals, including running with the bulls—too risky! Having a child, buying a horse, building a relationship with her (dead) father, however, all remain. Brad, the handsome attorney charged with making sure Brett achieves her goals, doles out a letter from her mother with each success. Warmly comforting, Elizabeth’s letters uncannily—and quite humorously—predict Brett’s side of the conversations. Brett grudgingly begins by performing at a local comedy club, an experience that proves both humiliating and instructive: Perfection is overrated, and taking risks is exhilarating. Becoming an awesome teacher, however, seems impossible given her utter lack of classroom management skills. Teaching homebound children offers surprising rewards, though. Along Brett’s journey, many of the friends (and family) she thought would support her instead betray her. Luckily, Brett’s new life is populated with quirky, sharply drawn characters, including a pregnant high school student living in a homeless shelter, a psychiatrist with plenty of time to chat about troubled children, and one of her mother’s dearest, most secret companions. A 10-step program for the grief-stricken, Brett’s quest brings her back to love, the best inheritance of all. 

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Pub Date: July 30, 2013

ISBN: 978-0-345-54087-4

Page Count: 368

Publisher: Bantam

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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