A grand, if slightly uneven, SF adventure with big ideas and relatable characters.
In Masip’s thriller, a scientist discovers a secret hidden within human DNA that has world-altering consequences.
Camille DuBois is a graduate student in genetics who’s fascinated by “junk DNA” that doesn’t code for proteins. She’s convinced that it hides a secret, and her research attracts the attention of Carter Industries, an incredibly wealthy corporation involved in “tech, AI, and space dreams.” With their resources, Camille and her colleagues discover that a sequence in human DNA contains specific coordinates: “a celestial map, directing us to a specific location on Mars….written into our very genetic code for millennia, waiting for us to uncover it,” notes benefactor Nathaniel Carter. Camille then becomes a member of the first human crew ever sent to the red planet, where she finds an ancient Martian AI, which explains that there was an advanced civilization there, billions of years ago. The Martians created it when they were on the verge of extinction, it says, so that it could steer development of life on Earth. Now, the AI intends to “merge” its memories with humanity to form one united species. Camille and her crew are afraid that this will mean the destruction of humankind, so they alert the corporation back home, leading to a tense, frightening standoff. In many ways, Masip’s novel reads like a blockbuster SF movie; the action is grand and sweeping, and a few preternaturally skilled characters risk peril and revelation to save the day. The story is exciting and tense throughout, and it’s easy to root for the main characters. However, the book has some of the problems that many movie blockbusters also have: Convenient coincidences occur as the plot demands, which saps the dramatic power, and the novel’s length worsens this problem, as it’s difficult to maintain escalating tension for nearly 500 pages. However, the story’s themes are heartening, and Masip takes care to give his characters rich internal lives and distinct perspectives. Despite its flaws, this novel is a lot of fun and clearly written with care.
A grand, if slightly uneven, SF adventure with big ideas and relatable characters.Pub Date: June 12, 2025
ISBN: 9789083549316
Page Count: 488
Publisher: N/A
Review Posted Online: July 24, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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