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THE ART OF CONTROVERSY

POLITICAL CARTOONS AND THEIR ENDURING POWER

Generally engaging and often illuminating, but the study might better have gone deeper rather than wide.

The veteran journalist offers a survey of political caricature, international in scope, but a little sketchy in its short biographical summaries.

As the former editor and publisher of the Nation, Navasky (Columbia University School of Journalism; A Matter of Opinion, 2005, etc.) at least twice faced open revolt from staffers at the liberal magazine for caricatures that he published, including a famous one by David Levine that shows Henry Kissinger raping (or at least sexually dominating) the world. Most of the outrage came not from the right but from the left, from feminists who decried the sexual stereotype of a man having his way with a submissive female, who protested in a group letter that “a progressive magazine has no business using rape jokes and sexist imagery (he screws, she is screwed) to make the point that Kissinger revels in international dominance. Kissinger is a man, but the globe is not a woman.” The incident underscores many of the points made in the book: that there can be a big difference between the way a caricature is conceived and perceived, that images have a different and often greater power than words, and that “unfairness, by the way, is the point—there really is no such thing as a balanced or objective caricature….Caricatures by definition deal in distortion.” Admitting that “my methodology was anything but scholarly,” the author presents a variety of theories on how and why caricature derives its communicative power before proceeding through an “unguided tour” of more than four centuries of political caricature and a gallery of more than 30 caricaturists and publications, most represented by a couple pages of text and a couple pieces of work. Where even a master of the form such as Ralph Steadman dismisses caricature as “low art…nothing but a cheap joke,” the imprisonment or even murder of some whose work has offended suggests how severe the consequences can be.

Generally engaging and often illuminating, but the study might better have gone deeper rather than wide.

Pub Date: April 10, 2013

ISBN: 978-0-307-95720-7

Page Count: 256

Publisher: Knopf

Review Posted Online: Jan. 13, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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THE VIRTUES OF AGING

A heartfelt if somewhat unsurprising view of old age by the former president. Carter (Living Faith, 1996, etc.) succinctly evaluates the evolution and current status of federal policies concerning the elderly (including a balanced appraisal of the difficulties facing the Social Security system). He also meditates, while drawing heavily on autobiographical anecdotes, on the possibilities for exploration and intellectual and spiritual growth in old age. There are few lightning bolts to dazzle in his prescriptions (cultivate family ties; pursue the restorative pleasures of hobbies and socially minded activities). Yet the warmth and frankness of Carter’s remarks prove disarming. Given its brevity, the work is more of a call to senior citizens to reconsider how best to live life than it is a guide to any of the details involved.

Pub Date: Oct. 26, 1998

ISBN: 0-345-42592-8

Page Count: 96

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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