Simmering with internal conflict and well-devised courtly scheming—but readers new to the series had best start with Book 1.

KING'S CAGE

From the Red Queen series , Vol. 3

The “lightning girl” who once led a revolution now toils, powerless and imprisoned, in this continuation of the Red Queen series.

After turning herself over in exchange for the lives of her friends, Mare Barrow becomes King Maven’s puppet. She waits, locked in a room, her lightning drained by Arvens—Silvers who leach power. But Maven has grander plans for her. And if she wants to keep the newbloods safe, she must comply. Mare broadcasts a lie that she willingly surrendered herself to the king after the Scarlet Guard forced her into servitude. She paints the Scarlet Guard as murderers, paving the way for Maven to offer refuge to newbloods in hopes of amassing an army. Otherwise, he’ll just keep hunting them. Political machinations rumble while both the king and the Scarlet Guard form new alliances. As Mare bides her time, she confronts uncomfortable feelings for Maven—she’s his greatest weakness, but can she kill him? Complementing Mare’s narration, Cameron, a newblood, relates the movements of the Scarlet Guard, and Evangeline, Maven’s betrothed, offers insight into the deadly House Samos. Few bursts of action stir up this slow-burning installment, allowing the dizzyingly large fleet of characters room to gain new depth. Mare’s romantic entanglements shift and sizzle, but the true intrigue lies in the ever expanding war for the crown as the players grow and change games. Aside from dark-skinned Cameron, the principal cast appears to be white, although the caste system based on the distinctions between Red and Silver blood holds more sway in this fantasy world than race.

Simmering with internal conflict and well-devised courtly scheming—but readers new to the series had best start with Book 1. (Fantasy. 13-adult)

Pub Date: Feb. 7, 2017

ISBN: 978-0-06-231069-9

Page Count: 528

Publisher: HarperTeen

Review Posted Online: March 6, 2017

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A rush of emotion and suspense.

THE FIRST TO DIE AT THE END

Crowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017).

Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot.

A rush of emotion and suspense. (Speculative fiction. 13-18)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-324080-3

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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