by Victoria Chang ‧ RELEASE DATE: Oct. 12, 2021
This book is moving in a way that transcends story and message; it captures a pure sense of another person's heart.
In a series of letters and collages, an award-winning poet explores the wounds of her family history as well as her life as a writer and a mother.
"I wonder whether memory is different for immigrants, for people who leave so much behind,” writes Chang, whose parents were immigrants from Taiwan. “Memory isn’t something that blooms but something that bleeds internally, something to be stopped.” After the impressive formal innovations of her 2020 book, OBIT, which won multiple national awards, Chang continues to find new ways to plumb her experiences on the page. In addition to family members, she includes letters to Silence, to her Body, and to friends, fellow poets, and a teacher who started her on her way as a writer, which end up giving the book a second identity as an essay on craft. "What I learned from you was to forget the sun,” she writes, “that the moon burned more, to cling to things that didn’t seem to leave a trace, such as memory or silence or cruelty or beauty.” In “Dear Reader,” Chang explains that while she was at work on the letters, she found a box of photographs and interviews she conducted with her late mother. Using these and a variety of official documents, she presents a series of collages with hand-lettered text that create a backdrop of family history addressed both directly and indirectly by the letters. Depending on what one brings to this book, each reader may find their own moment of goosebumps or tears. One possibility are these lines on overcoming silence: "I still carry the brick around with me everywhere I go, but it is now outside of my throat. Sometimes I use it as a paper weight. Other times, it’s so light that it feels like I no longer have it at all."
This book is moving in a way that transcends story and message; it captures a pure sense of another person's heart.Pub Date: Oct. 12, 2021
ISBN: 978-1-57131-392-8
Page Count: 136
Publisher: Milkweed
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Victoria Chang ; illustrated by Marla Frazee
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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