Following a fairly familiar course until its sudden closing twist, this debut from actor/screenwriter Foyt tracks a teenager’s grief after her mother’s sudden death, and her stubborn resistance to the new woman with whom her father has quickly taken up. Lexie may be a true computer geek, as well as a classic outsider whose only confidante (at the outset, at least) is an online buddy whose real identity will quickly become obvious to readers, but she also has an uncommon ability to read people. That ability tells her that there’s something not quite right about the perky, capable and seemingly friendly Jane. Foyt writes in a third-person, not-quite-stream-of-consciousness style that drags rather than propels the story, but in Lexie she creates an appealingly sullen adolescent to whom cyberspace is the key to a realer Reality than the “Bubble” in which everyone else is trapped, and she keeps readers guessing about Lexie’s suspicions until the very end. Readers will also wonder until the climax whether Lexie’s online conversations with her mother and other souls are real or imaginary—real, as it turns out, and a setup for possible sequels. Lexie is no Holden Caulfield, but mildly alienated teens may find her a kindred spirit. (Fantasy. YA)
Pub Date: March 13, 2007
ISBN: 0-06-082563-4
Page Count: 320
Publisher: HarperTempest
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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