Four young people divided by geography, class, and philosophy come together in the dream realm to fight the powers of darkness. Maeve, a Sliviite slave of noble descent, runs away from a sinister new master, as Jasper, a clever lowborn entrepreneur, risks his precarious freedom to help her escape. On the opposite side of the sea, Princess Saravelda of Archeld comes incognito to the Healer’s Keep of conquered Bellandra to study her magical gifts, while the outlander Dorjan enrolls, already proficient in his rare talent of walking in dreams. A plot by the disciples of the demonic Shadow King unites these four unlikely allies in a mystical battle to keep the spiritual light from being drained from the world. In this sequel to The Seer and the Sword (2001), Hanley again employs a complicated double narrative, intertwining the tales of her principals while keeping them physically apart. She extends the map of her world with decadent Sliviia and resentful Bellandra, and clarifies the underlying magical structure—although her excessive dependence on sound-alike terminology will force most readers to keep one finger in the glossary. The dramatic action keeps the characters hurtling from crisis to cataclysm, while forcing them to moral compromises that develop character depth. Although the one-dimensional villains, along with a tendency to tell rather than show, make this a more straightforward good-vs.-evil adventure than the subtly ambiguous conflict of Hanley’s debut, the tale works well both as a sequel and on its own. Solid and satisfying. (Fantasy. 12+)
Pub Date: Oct. 15, 2002
ISBN: 0-8234-1760-3
Page Count: 384
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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