Mediocre fiction is redeemed by considerable empathy in this serious but patchy summer read.
A young Englishwoman discovers her family’s secret links to a Cretan leper colony, in an unusually humane saga.
A bestseller in the U.K., British author Hislop’s debut pays affecting tribute to the victims of leprosy and those who helped them. Alexis’s mother Sofia has never discussed her family background, but when Alexis plans a trip to Crete with her decreasingly appealing boyfriend Ed, Sofia gives her an introduction to old family friend, Fortini, in the village of Plaka, across from Spinalonga Island, for years a leper colony, but now deserted. Fortini, with Sofia’s permission, begins to narrate the Petrakis family story, starting with Alexis’s grandmother Eleni in 1939, a saintly, married schoolteacher who developed leprosy, moved to Spinalonga and died there, leaving behind her husband and two daughters, Anna and Maria. Willful Anna marries rich Andreas but flirts with his sexier cousin Manoli, who falls in love with good-natured Maria. Their wedding plans are shattered when Maria realizes she too is infected with leprosy and must go to the island. Under the treatment of kind Dr. Kyritsis, Maria is given drugs, and eventually she and the other sufferers are healed and the colony is closed. Anna, meanwhile, has had an affair with Manoli and given birth to Sofia. On the night of Maria’s return to Plaka, Andreas discovers the affair and shoots Anna. Eventually, Maria marries Kyritsis and they bring up Sofia, not revealing until very late her true parentage. Sofia takes the news badly, moves away and lives a life of shame and guilt for the pain she caused. Now she and Alexis are reunited in Plaka and Ed is given his marching orders.
Mediocre fiction is redeemed by considerable empathy in this serious but patchy summer read.Pub Date: July 24, 2007
ISBN: 978-0-06-134032-1
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2007
BOOK REVIEW
BOOK REVIEW
A strange, subtle, and haunting novel.
A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.
How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.
A strange, subtle, and haunting novel.Pub Date: March 24, 2020
ISBN: 978-0-525-52114-3
Page Count: 320
Publisher: Knopf
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
SEEN & HEARD
Altogether bizarre—and pleasingly beguiling, if demanding. Not the book for readers new to Murakami but likely to satisfy...
Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage, 2014, etc.) returns with a sprawling epic of art, dislocation, and secrets.
As usual with Murakami, the protagonist of his latest, a long and looping yarn, does not bear a name, at least one that we know. As usual, he is an artist at loose ends, here because his wife has decided to move on. And for good reason, for, as he confesses, he has never been able to tell her “that her eyes reminded me so much of my sister who’d died at twelve, and that that was the main reason I’d been attracted to her.” A girl of about the same age haunts these pages, one who is obsessed with the smallness of her breasts and worries that she will never grow to womanhood—and for good reason, too, since she’s happened into an otherworld that may remind some readers of the labyrinthine depths of Murakami’s 1Q84. Dejected artist meets disappeared girl in a hinterland populated by an elusive tech entrepreneur, an ancient painter, a mysterious pit, and a work of art whose figures come to life, one of them “a little old man no more than two feet tall” who “wore white garments from a bygone age and carried a tiny sword at his waist.” That figure, we learn, is the Commendatore of the title, a character from the Italian Renaissance translated into samurai-era Japan as an Idea, with a capital I, whose metaphorical status does not prevent him from coming to a bad end. The story requires its players to work their ways through mazes and moments of history that some would rather forget—including, here, the destruction of Nanjing during World War II. Art, ideas, and history are one thing, but impregnation via metempsychosis is quite another; even by Murakami’s standards, that part of this constantly challenging storyline requires heroic suspension of disbelief on the reader’s part.
Altogether bizarre—and pleasingly beguiling, if demanding. Not the book for readers new to Murakami but likely to satisfy longtime fans.Pub Date: Oct. 9, 2018
ISBN: 978-0-525-52004-7
Page Count: 704
Publisher: Knopf
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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