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THE FOX GIRL AND THE WHITE GAZELLE

With her two characters, Williamson movingly makes it clear that working-class solidarity traverses borders, race,...

Reema and Caylin live in the same apartment building in Glasgow. Reema recently resettled there after fleeing Syria with her family as refugees, but both Reema and Caylin are struggling: to make friends, to help their families, and to fit in.

Although seemingly from different worlds, Reema and Caylin have a lot in common. They are both fierce but caring and have both suffered tremendous loss; Reema lost her home in Syria, and Caylin lost her grandparents and, as a result, her mother, who’s fallen into alcoholism. But more than anything, the two can run like the wind. After finding a young fox in the back shed of the apartment building, the two begin to bond over caring for the fox and her newborn babies. Caylin, who turned inward and isolated after her grandparents died and her mother lapsed, begins to open up to Reema, who is steadily growing accustomed to her new life. By alternating the two girls’ first-person narrations (punctuating them with the fox’s voice in verse), Williamson allows readers to quickly relate to both white Glaswegian Caylin and Syrian-immigrant Reema, seeing in them reflections of the many problems children face around the world today. Her writing is culturally sensitive, incorporating various Arabic phrases and Islamic practices without Orientalizing them or sensationalizing the circumstances.

With her two characters, Williamson movingly makes it clear that working-class solidarity traverses borders, race, ethnicity, and religion. (Fiction. 10-15)

Pub Date: Sept. 6, 2018

ISBN: 978-1-78250-490-0

Page Count: 272

Publisher: Kelpies

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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SWIM TEAM

Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.

Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.

While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.

Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)

Pub Date: May 17, 2022

ISBN: 978-0-06-305677-0

Page Count: 256

Publisher: HarperAlley

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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RED, WHITE, AND WHOLE

An intimate novel that beautifully confronts grief and loss.

It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.

Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.

An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)

Pub Date: Feb. 2, 2021

ISBN: 978-0-06-304742-6

Page Count: 224

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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