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THE DEVIL'S WEDDING RING

A Scandinavian Wicker Man without the atmosphere.

Max Fjellanger returns to Norway for the funeral of an old friend and finds himself immersed in a 30-year-old murder case in Sundstøl’s (The Ravens, 2015, etc.) latest.

As young policemen in Eidsborg, Max Fjellanger and Knut Abrahamsen investigated a missing person case that was never solved; shortly afterward, Max left the police force and moved to America, where he became a private investigator and married Ann. He and Knut did not keep in touch, but when he hears about his old friend’s death, he impulsively returns to Norway for the funeral and confronts memories of the past. Knut’s death, ruled a suicide at first, seems suspicious, as does the recent disappearance of a young woman who was researching an old stave church and its wooden saint. The missing man from 30 years ago also had a scholarly interest in that church and its ritual traditions. Assuming this is no coincidence, Max teams up with a librarian named Tirill to uncover the truth behind these disappearances and Knut’s death. Rumors suggest that some members of the church community may be conducting their own, more pagan rituals connected to the summer solstice. Max and Tirill must be careful whom they trust, because some people are clearly willing to kill to protect their centuries-old secret. There is a clever plot here, and Max and Tirill are an engaging duo, but the novel lacks emotional depth. Most of the characters just don’t seem complex enough to drive the action-packed plot, and this leaves many scenes feeling flat. Though the novel moves somewhat slowly, the climax manages to feel rushed and lacks full explanation and development. The connection between early Christianity and paganism, while not new, could have been more thoroughly explored to add complexity and resonance.

A Scandinavian Wicker Man without the atmosphere.

Pub Date: Sept. 26, 2017

ISBN: 978-1-5179-0280-3

Page Count: 280

Publisher: Univ. of Minnesota

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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FIREWATCHING

A good detective in an incendiary procedural.

A Yorkshire detective untangles an old murder and new arsons.

DS Adam Tyler, a cold-case investigator for the South Yorkshire Police, is a bit of a loner, but his boss wants him to network more so he lets Sally-Ann, one of his civilian colleagues, talk him into joining a pub evening with the South Yorkshire Police LGBT Support Network. He doesn't plan to stay long, and when he meets a handsome man at the bar—"Sweetheart, he was everyone's type. Even mine," Sally-Ann says—he abandons the group to go home with him. The next morning, when he gets to work, Sally-Ann tells him there's big news: The body of Gerald Cartwright, a local tycoon and shady character who disappeared years ago, has been found in the basement of his own house during a renovation ordered by his 21-year-old son, who'd just inherited it. Tyler manages to get himself assigned to the investigation though the detective who's been working on it since Cartwright's disappearance doesn't want to hand it over to cold cases; he soon discovers the identity of his one-night stand: Oscar Cartwright, son of the deceased and potential suspect, which further complicates his position. Meanwhile, Edna and Lily, elderly Cartwright retainers of various duties, have begun receiving unsettling anonymous letters, and the whole community is rattled by a series of arsons that seem more and more likely to be related to the discovery of Cartwright's body. As Tyler's investigation slowly uncovers a sordid history of manipulation and abuse, the violence increases and he is assaulted several times. The repetitive nature of these assaults is a weakness in the book, but the richness of Tyler's character and the vividness of his negotiation of his own sexuality and the casual bigotry in his community are effective. The subsidiary characters are lively and believable, the arsons are particularly well described, and though the plot sometimes seems gratuitously complex, this is a rewarding entertainment.

A good detective in an incendiary procedural.

Pub Date: Feb. 25, 2020

ISBN: 978-0-525-54202-5

Page Count: 368

Publisher: Putnam

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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CROSS HER HEART

Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...

In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.

On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”

Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-285679-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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