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TENDING THE HEART OF VIRTUE

HOW CLASSIC STORIES AWAKEN A CHILD'S MORAL IMAGINATION

A little jewel of a book on how great fairy tales and other children’s stories, with their vivid myths and metaphors, can morally educate and refine young people. Theologian Guroian engages in a close and sensitive reading of about a dozen children’s tales, including such well-known ones as The Little Mermaid and Pinocchio and such largely forgotten ones as The Princess and the Goblin by the 19th-century British writer George MacDonald. He notes that contemporary —values education,” with its often dry presentation of moral principles, has at best limited appeal to children. In contrast, the great children’s stories graphically and memorably present characters—human, animal, fantastical, and other—that embody the struggles and joys of being human. Their focus is on such enduring themes as deep friendship and love, suffering and solitude, fear and courage, empathy and the “leap of faith.” Guroian writes crisply and perceptively about these and related matters, such as this observation about love, faith, and tolerance in The Princess and Goblin: “the hard truth [is] that we cannot make even those whom we love believe, and that if we truly love them, then we must permit them to come freely to that belief.” His interpretations sometimes may prove overly christological for many non-Christian readers. For example, he claims that a “red-rose willow tree” that the Little Mermaid plants —alludes to blood and tears and the passion of the cross,” a symbolic link that seems far too theologically freighted for most children. Still, this is a book whose appeal goes far beyond the religiously minded; it will interest parents and teachers of all backgrounds who want to help their children to both grow imaginatively and achieve moral depth.

Pub Date: May 1, 1998

ISBN: 0-19-511787-5

Page Count: 151

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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