A monotone collection of high-minded poems.
Parihar praises the natural world and contemplates the self in this poetry collection.
There’s an art to assembling a poetry collection. Parihar addresses this topic in a poem entitled, appropriately, “A Poetry Collection,” musing how poems on different topics work together to form a whole: “Each poem a window to a different world, / Where emotions unfurl and truths are unfurled. / From the depths of despair to the heights of love, / The collection resonates, like a dove.” Parihar does indeed offer many windows on disparate subjects, from the grandeur of nature to the ghostlike anxieties that creep up on him at night and even the particular struggles of the American middle class. The poet’s chosen form overwhelms the content of the poems, however. All 71 entries are composed of four-line stanzas with mostly AABB rhyme schemes. The effect is demonstrated by this trio of sequential offerings that celebrate three American cities: “The Manhattan” begins, “In the heart of a city that never sleeps, / Where dreams take flight and secrets keep, / Stands Manhattan, a beacon of light, / A skyline of wonder, a mesmerizing sight.” Next, “Los Angeles” starts with “In the land where sunshine reigns supreme, / Amidst the palm trees and silver screen, / There lies a city of dreams untold, / Where stories unfold, and legends behold.” And finally, “Chicago”: “In the city by the lake, where the wind whispers tales, / Chicago stands proud, where ambition prevails. / A skyline of steel, rising tall and bold, / In the heart of the Midwest, a story unfolds.” The repetition of this structure flattens all that it touches, blending poems together so that all differentiation dissolves. It would be one thing if the lines rang out, but the rhymes often feel forced. To revisit the stanza about poetry collections: Emotions unfurl, but truths are unfurled? Why? Does a dove resonate? Parihar has clearly enjoyed composing these poems, but he’ll need to try a bit harder—and maybe even vary his form—if he expects others to enjoy them as much as he does.
A monotone collection of high-minded poems.Pub Date: March 25, 2024
ISBN: 9798320766812
Page Count: 141
Publisher: Self
Review Posted Online: June 5, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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